My Preciousss is from the Ken Onion series. The sweeping curve of her blade is formed from 32 layers of high-carbon SS clad over a VG-10 core with a Damascus finish that resembles a fine woodgrain or moire. A stunning work of art and craft. The sensual curve of her ergonomic handle found a natural home in my hand. With the perfectly fluid balance of her weight, I felt the power of a Samurai. I never wanted to put her down, but there were others waiting. I watched like a jealous lover.
Vicious is a hollow ground Santoku from the Classic series and features the same blade composition with a Pakkawood handle. Compared to My Preciousss, he felt stiff and rigid in my hand. I gave Vicious his name after he bit me twice in succession. They were superficial cuts, just deep enough to make me wince when pinching salt. I think he felt jilted for being picked last. Or maybe he was also a jealous lover.
Vicious and I are now friends. I find myself reaching for him more often than My Preciousss; his lighter weight and straighter blade makes him more versatile for slicing and chopping. He’s reminded me of something that I already knew: that knives, like people, should be regarded and handled as individuals.
Very surprised that a person who messed with hydrocolloids isn’t using more traditional Japanese blades, but a commercial one instead. Regardless, the Shuns are great knives.
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Great knives. I’ve been slowly converting all my german knives to the Shun Pro 2 series, and it ain’t cheap. My latest purchase was the 9.5 inch Deba, which I’ve been lusting for the past couple years.
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