the three friends of winter

 

The Three Friends of Winter
a dessert

serves 6 

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winter: kasu amazake

This is a variation of amazake that introduces yeast via the kasu (sake lees), aligning it with Chinese jiuniang. Traditionally made with glutinous rice, it can be made with any variety (I like using fragrant jasmine and basmati). Served warm and flavored with yuzu zest, it is sweet, wonderfully aromatic, and mildly alcoholic— an adult version of rice pudding. 

rice                                1/2 cup                90g
water                             1 cup                    235g
kasu                               2 Tblspns              35g
koji                                1 cup                   180g
microplaned yuzu zest      2 tsps                   4g

Bring the water to a boil in a small saucepan. Add the rice, stir, cover pan, and reduce the heat to low. Cook for 15 minutes or until tender.
Sterilize a bowl, a spoon, and a 1-qt glass jar with boiling water. When the rice is cooked, transfer it to the bowl and cool to 55C/130F. Crumble the kasu over the rice, add the koji, and toss mixture with the spoon until well blended. Transfer mixture to jar and cover. Incubate in a water bath at 55-60C/130-140F for 2-3 days, gently shaking the jar every 6-8 hours. After 24 hours, the kasu amazake should be mildly sweet and smell yeasty. It will continue to get sweeter and headier— remove from water bath when it reaches a pleasing flavor and aroma. If not serving within a few hours, stop fermentation by placing the jar in a boiling water bath for 5 minutes and store in refrigerator for up to a week.
To serve, gently warm the kasu amazake and stir in the yuzu zest.

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Bamboo: candied black sesame

When black sesame paste is cooked in sugar syrup and brought to the firm ball stage, the oil and solids create a product with the texture of brittle fudge. Here, young bamboo shoots are first impregnated with the light syrup, then coated with the reduced syrup and left to dry.

black sesame paste                              2 Tblsps                 40g
hot water                                            1/4 cup                 60g
sugar                                                  1 cup                     200g
liquid glucose                                      1 Tblsp                  21g
18 young bamboo shoots 

Pour the hot water over the sesame paste in a saucepan and whisk to dissolve. Add the sugar and glucose, stir to combine. Cook over high heat to 104C/220F. Remove from heat and add the bamboo shoots to the hot syrup, submerging them. Cover pan and set aside for at least 6 hours at room temperture. Remove shoots from pan and set on a rack to dry. Return pan to high heat and cook the syrup to 121C/250F. Remove from heat and, using a fork, carefully dip each bamboo shoot in the thick syrup to evenly coat, then place on a sheet of parchment to dry. If syrup begins to harden, rewarm gently until fluid before proceeding.
Candied bamboo shoots can be kept in an airtight container for up to 3 days.

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Pine: genoise, meringue

Both the cake and meringue are made with pine infused sugar. To heighten the flavor, a drop of pine essential oil was used in the syrup that moistens the genoise, and in the meringue. When buying essential oils for culinary purposes, look for 100% pure therapeutic grade.

pine sugar

sugar                                   1 cup                    200g
pine needles                         1/4 oz                   12g

Place the sugar and pine needles in a blender and blend on high speed for 2-3 minutes until pulverized. Let stand 5 minutes and blend again for 1 minute. Sift the sugar through a medium sieve to remove pine chaff. Sift again through a fine sieve to remove small particles.

pine genoise

sifted cake flour                   1/3 cup                  44g
cornstarch                           5 Tblsps                37.5g
eggs                                   4 whole                 200g
pine sugar                           1/2 cup                 100g
cream of tartar                    1/4 tsp                  .75g

Preheat the oven to 350 F. Grease and flour a 9" cake pan.  In a small bowl, whisk together the flour with the cornstarch. With an electric mixer, beat the eggs with the sugar on high speed for about 5 minutes, or until thick, fluffy, and about tripled in volume. Sift half of the flour mixture over the eggs and fold in with a spatula. Repeat with the remainder of the flour mixture. In a separate bowl, whip the egg whites just until foamy. Sprinkle on the cream of tartar and continue whipping to stiff peaks. Fold the whites into the batter, then pour into prepared cake pan and level off the top. Place in the oven immediately and bake for 20-25 minutes, or until the top springs back when pressed, or a cake tester comes out clean. Remove from oven and allow to cool for 15 minutes before turning out of pan to finish cooling. 

pine yuzu syrup

pine sugar                            2 Tblsps                25g
water                                   1/4 cup                 59g
yuzu juice                             2 tsps                   10g
pine essential oil                   1 drop

Bring the sugar and water to a full rolling boil. Remove from heat, cover and let cool. Stir in the yuzu juice and essential oil. Evenly drizzle all of the syrup over the cake.

pine meringue

egg whites                            1/4 cup                 60g
cream of tartar                      1/4 tsp                 .75g
pine sugar                             4 oz                     115g
pine essential oil                    1 drop

In an electric mixer, beat the whites on medium speed until frothy. Add the cream of tartar and continue beating on medium while gradually adding the sugar. When approximately 1/2 of the sugar has been added, raise the speed to high and gradually add the remaining sugar until meringue is stiff and glossy. Remove a heaping spoonful (about 1/4 cup) of the meringue to a small bowl and fold in the drop of essential oil until well incorporated. Return the meringue to the mixing bowl and beat for 1 minute.Transfer the meringue to a piping bag fitted with #7 (small round) tip. Pipe long lines of meringue onto a silicone sheet. Bake in a 93C/200F oven for 1 hour, then turn off oven. Let meringues sit in oven until they release easily. To make 'pine needles' run the blade of a thin, offset spatula under each line of meringue— they will break off in short segments. Store in an airtight container for up to 5 days.

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Plum: umeboshi puree, preserved ume

umeboshi plum puree

When making fruit purees, I like to freeze the fruit for a day or longer before processing. The freeze/thaw cycle releases flavorful juice by rupturing cell walls, allowing better control of solids:liquids ratio. It also allows the skins and pits to be easily removed. For this sweet/salty puree, I used deep red elephant heart plums and umeboshi (ume fermented in salt, then dried).
Ultratex is a tapioca-derived modified food starch that has the ability to thicken without applying heat. I used it here to tighten the puree, while retaining the fresh fruit flavor.

juice from frozen and thawed plums                    105g
solids from frozen and thawed plums                    80g
umeboshi, pitted                                                 22g
yogurt                                                                50g
honey                                                                 30g
ultratex 8                                                           8g

Place all of the ingredients except for the ultratex in a high speed blender and blend until smooth. With motor running on medium, drop the ultratex into the center vortex and continue blending until thickened. Transfer puree to a squeeze bottle.

 ume leaves 

Ume, aka Japanese plums, are not a type of plum, but a distinct species in the subgenus Prunus that include plum and apricot. Even when ripe, they are at least twice as acidic as plums. Although fresh ume are difficult to find in the US, Kanjyuku Ume No Mi (preserved plum produced by Choya foods) can be found in markets like Mitsuwa that specialize in Japanese ingredients. Essentially, they are ume preserved in sugar, but they are unlike any candied fruit I've ever tasted: crunchy, gelatinous, barely sweet, fragrant, puckery, and addictive.

5 preserved ume

Cut each ume into 8 wedges, removing the flesh from the pit. Trim the underside of each 'leaf' so that it sits flat on the plate.

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To assemble dish

Place a 7.5cm/3" ring mold in the center of a warmed serving plate. Spoon approximately 3 Tblsps on warm kasu amazake in the center of ring mold and spread in an even layer with the back of the spoon. Lift mold off of plate. Trim the candied bamboo shoots to 7.5cm/3" in length and arrange 3 on top of the kasu amazake. Break the cake apart into small, irregular pieces and arrange 3 pieces at the base of bamboo shoots. Scatter some of the pine meringue needles over the top of cake. Arrange 6 of the ume wedges around the base of the cake to resemble bamboo leaves. Pipe clusters of 5-dot circles on either side of candied bamboo to resemble plum blossoms and single dots to resemble buds. Repeat with remaining plates.

Solanaceae: the incredible [sometimes] edible nightshade family of plants

Have you ever cut into a plum tomato and [for a moment] thought it was a pepper?
Or had a similar moment with the seed patterns of eggplant and tomatillos?

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Have you ever roasted peppers over an open fire or opened a bag of sun dried tomatoes and caught a whiff of tobacco?

Maybe you've walked through a vegetable garden and noticed how certain flowers resemble each other?


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You have? Well, you're very observant. And you probably already know that these observations are not random but just some of the threads that link together the nightshade family.

Solanaceae, commonly known as nightshade, is a fascinating and diverse family of plants comprised of 102 genera and 2800 species, many of which are globally significant sources of food.

Popular edible genera and species:
Solanum: potato (S. tuberosum), tomato (S. lycopersicum), eggplant (S. melongena)
Capsicum: bell pepper and chili pepper (C. annuum)
Physalis: tomatillo (P. philadelphica)

lesser edible species:
ground cherry/cape gooseberry (Physalis peruviana), goji berry (Lycium barbarum), tomarillo (Solanum betaceum), pepino melon (Solanum Muricatum), naranjilla (Solanum quitoense), wonderberry/sunberry (
Solanum retroflexum), Morelle de Balbis (Solanum sisymbriifolium).

Nearly half of all nightshade species are found in the genus Solanum, including two important foods: potato and tomato. The potato species, with over 4,000 varieties, is the world's fourth largest food crop, surpassed only by rice, wheat, and corn. It possesses all of the vitamins and minerals necessary for human survival with the exception of vitamin A and D. Think about this the next time you add butter, milk, or sour cream to potatoes: you're creating a nutritionally complete food.

The potato tuber seems an anomaly in this large, varied family of predominantly fruit (tomatoes, eggplant, and peppers are botanically fruits, but for culinary purposes are considered vegetables). That's because the plant is genetically programmed to direct energy to forming tubers instead of fruit. Only 8% of the potato's genes are responsible for this trait, the other 92% of its DNA is shared with the tomato.

Economically, the tomato can give its tuberous cousin a run for the money— 2 billion dollars worth in the US market alone. Not bad for a fruit that started as a wild green berry in the mountains of Peru (also the birthplace of the potato) and thought to be unfit for human consumption for a span of its existence. Even after domestication in Europe, it was regarded as a mere curiosity to some, while others thought them (as a Paduan physician declared in 1628) “strange and horrible things”. But that was a long time ago and we no longer find the tomato so disagreeable. Well, at least not all of the time.

From July through October, homegrown and small farm raised tomatoes are celebrated with cult-like vehemence. For the rest of the year, when our only choice is commercially grown fruit, we are left with… strange and horrible things. How are these even related and, for the love of Flavor, if we can (insert any modern technological advancement), why can't we buy a tomato from November through June that isn't an abomination? For an age-old lament, you would think that the answer is more complicated than it actually is— what it really comes down to is money. The commercial farmers in South Florida, who grow 90% of out-of-season supermarket tomatoes in the US, don't get paid for flavor, they get paid by the pound. In this monopoly, flavor is inconsequential— profit comes from yield, uniformity, shippability, and shelf life. It's a grim laundry list that the other stakeholders— the commercial tomato breeders— must fill in order to get their piece of the pie. In doing so, they have bred the flavor right out of the tomato.

But there is hope…

Earlier this year, two separate papers were published on tomato genetics that could have a positive impact on commercially grown tomatoes by satisfying the consumer's yearning for flavor and still maintain the grower's bottom line.

The focus of one paper, published in the journal Science, is a random gene mutation in tomatoes that turn them uniformly red. Older varieties, like the heirlooms, turn red from the blossom end to the stem, some even remain green around the stem when fully ripe. Although the mutation was discovered 70 years ago and has since been deliberately bred into modern varieties to make them more attractive to consumers and easier for growers to determine ripeness, it was the authors, led by Ann Powell, a plant biochemist at UC Davis, who discovered that the missing gene inactivated by the mutation is responsible for the alluring aroma and flavor of a ripe homegrown tomato.

In another paper, the genome of the tomato was decoded for the first time by an international consortium of 300 plant geneticists from 14 countries. Shortly after it was published in the journal Nature in May, a surprising discovery from the study— that tomatoes possess a whopping 35,000 genes— made headlines. That's about 7,000 more genes than you or me but it doesn't mean that tomatoes are more complex, they just manage their cells differently.

The monumental work, nine years in the making, illuminates a cheaper and speedier path to improving every aspect of the tomato— from flavor, to disease resistance (lacking in heirloom varieties), to nutrition, to yield— and the ability to isolate these traits separately. The information about the evolution and pathways contained in the genome sequencing also has implications for other fleshy fruits that share tomato characteristics.

All of this groundbreaking information may seem like it's clearcutting the way for genetically modified tomatoes. That's been tried already, back in the 1990's, and failed due to consumer confidence. Instead, it facilitates the selective breeding of new varieties, both for the home garden and commercial farms. But when will we see change? According to a member of the consortium, Professor Graham Seymour of the University of Nottingham, in a BBC article:

"I only work with a couple of companies but I know that they are putting through some of these new traits and they are going to their elite lines – but all tomato breeding companies will be taking this up now so you would expect to see a number of new products over the next 3-5 years."

Godspeed.

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tomato poached in lime basil oil 
stuffed with mozzarella curds and mascarpone
tomatine sauce: fermented green tomato and tomato leaf 


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More than tomatoes and potatoes and other good things to eat, nightshade has a dark, unsavory side that begot its name. Meet the shadiest members:    
datura (Datura stramonium)
belladonna  (Atropa belladonna)
henbane (Hyoscyamus spp.
mandrake (Mandragora spp.)

These genera played a prominent role in early medicine and continue to be important today. During the Renaissance, Venetian courtesans dilated their pupils with belladonna, the source of the alkaloid atropine, to make them appear dreamy and seductive. The vain application of the past inspired the more practical modern use of atropine in routine eye exams.

The superstitious minds of Medieval Europe shrouded nightshade in mystery, magic, and the occult. Mandrake, whose forked root sometimes resembles a human form, was believed to release a deadly shriek when pulled from the earth and was only harvested through a complex ritual that involved tying the plant to a dogs' tail on a moonlit night. The witches of the time inhaled henbane smoke to induce hallucinatory trances necessary to cast spells and summon spirits. Many of these plants were included in their legendary flying ointments for the sensations of lightness that they produced.

Earlier still, datura was revered as a sacred visionary plant by ancient civilizations of the world and used ceremoniously to induce prophesies. Henbane was commonly used in Druid and Viking rituals, as evidenced by the seeds found in their graves.  

History, folklore, and literature are all guilty of romanticizing deadly plants, but nightshade's deadly aspect is no joke. These genera are host to a potent chemical soup of psychotropic alkaloids that in the right dose can treat a variety of ailments from motion sickness to Parkinson. In the wrong dose, they are capable of inducing hallucinations, comas, and death. Solanaceae plants produce these alkaloids and other compounds as chemical defenses against predators and environmental threats. but if you think they are limited to the medicinal species, think again.

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     the many colors and shapes of Solanaceae

Everything we eat has consequences. The most blatant example is chili pepper, a food that we willfully eat that causes us both pleasure and pain. The pleasure comes from a release of endorphines. The pain comes from the volatile compound capsaicin that, in a twist, has the ability to relieve pain.

Though not a food, tobacco (Nicotiana tabacum) is an important cash crop that produces the alkaloid nicotine, whose harmful and addictive nature has been well documented. But how many abstainers know that it is also present (in lesser degrees) in eggplant, tomatoes, and potatoes?     

Have you ever experienced an itchy or burning sensation on your tongue after eating eggplant? That's oral allergy syndrome, caused by protein histamines that affects sensitive individuals.

And those green spots on potatoes? Those are harmless chlorophyll, but they indicate something insidious just under the surface: the presence of solanine, a poisonous alkaloid that can cause severe nausea, and even death.

Just as science shines new light and understanding on naturally-occurring plant compounds and their implications to our health, it also exposes myths. 

The strange and horrible tomato, once feared for its association with the dark side, is now known to contain beneficial phytonutrients, even as an increasing part of the population sensitive to their alkaloids is choosing to exclude them, and all nightshades, from their diet.

Solanine has been long believed to be the culprit that kept us from consuming tomato leaves. But as Harold McGee pointed out in a 2009 article in the New York Times, solanine belongs to the potato species, while the tomato's is tomatine, which "appears to be a relatively benign alkaloid". So, while it may not be a good idea to indulge in a heap of tomato greens, a few aromatic leaves used as an herb is likely harmless.

Perhaps the most misunderstood and controversial members of Solanaceae belong to the Solanum nigrum complex. Solanum nigrum, commonly known as black nightshade, is a morphologically distinct species and there are at least 30 other distinct Solanum species that are bundled into this complex. To quantify them all under the dark umbrella of black nightshade taints them with the perception that they are all deadly poisonous when, in fact, they are not. At least, not all of the time. And that's where the confusion begins.

Here, too, solanine seems to be the problem— or more accurately— the varying degrees of concentration among the species. Many (too numerous to list) have a long history as significant food sources, primarily in Africa and Eurasia. Most often, it's the leaves that are gathered and cooked as greens. In some cases the ripe berries are consumed as well. Unless we are willing to sift through a maze of mind-numbing toxicological data on the individual species, there is very little practical information available. Even so, conclusions given by plant scientists are typical to this:
"the development of toxic levels of these alkaloids is dependent on their growth under certain conditions or in certain localities, and even on the age of the plants concerned. Other reports suggest that the amounts of poisonous 'principles' vary greatly with climate, season and soil type." (Edmonds and Chweya,1997)   

Could this be a case of poisonous terroir?

The fear and uncertainty surrounding black nightshade, at least in North American, prevents even the adventurous from gathering and consuming wild species— every field guide lists S. nigrum as toxic. But there is a cultivated species that was introduced in the early 1900's by plant breeder Luther Burbank, whose ripe berries are reputedly safe to eat.

Burbank claimed to have hybridized his 'Sunberry' by crossing S. guineense with S. villosum , and created Solanum burbankii, “a new food plant from a poisonous family”.  In 1909, Burbank sold the rights to the seeds to John Lewis Childs, who rechristened it 'Wonderberry' and promoted it with extravagant claims as "the greatest garden fruit ever introduced ". Suspicion was cast when horticulturists claimed that it was nothing more than common S. nigrum. Controversy raged until the 1950's when the wonderberry was proven to be a distinct species native to South Africa. It was never known whether Burbank was aware of this or if it had been inadvertently introduced to his experimental gardens. Nevertheless, the damage was done and fear of black nightshade cast the wonderberry into obscurity. In recent years, wonderberry has been resurrected by seed companies and gardeners interested in 'new' heirloom varieties. Sometimes it is listed as the hybrid S. burbankii, sometimes as the correct species S. retroflexum, but by all accounts it is safe to eat the black ripe berries (green are recognized as poisonous), and by many accounts, they are delicious.

 Nightshade

roasted eggplant and smoked potato custard
fire-roasted pepper petals
nightshade relish 


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Ever versatile, Solanaceae contributes more than food and drugs— it enriches our lives with beauty and scent through these ornamentals plants:
petunia (Petunia spp.) most widely grown ornamental nightshade • 35 species • flattened tubular flowers • available in many colors from white to black (dark purple) • spreading habit makes them popular in hanging baskets.
flowering tobacco (Nicotiana spp.) various flowering species of tobacco • small tubular star-shaped flowers open at dusk • older varieties are more scented than modern. 
datura (Datura spp.) aka: angel's trumpet, moonflower, thorn apple • large erect trumpet flowers • produces spiny seed pods • highly toxic.
brugmansia (Brugmansia spp.) closely resembles datura, but with pendulous flowers and woody stems • grown as trees in the tropics • strongly scented • highly toxic.

The etymology of Solanaceae is unclear— there is conjecture that Sol- refers to their preference for sunshine and heat. Most genera originated in warm climates, where they grow as perennials. In cold climates, unless protected, they must be treated as annuals. Although they love growing in the sun, the flowers of these ornamentals only release their alluring scent at night. This trait allows them to attract nocturnal pollinators and, perhaps, contributed to the naming of "nightshade".

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    husk-covered nightshade: tomatillo, groundcherry, Morelle de Balbis

Among the edible species, tomatoes, peppers and eggplant are the most widely cultivated by home gardeners. They're certainly omnipresent in my vegetable patch, along with tomatillos. They are easy to grow if you provide them with rich soil, room to breathe, and at least 6 hours of sunshine a day. Potatoes require a little extra care as they need to have additional soil hilled up around them as they grow to allow tubers to form along the stem and to protect them from sunlight that triggers solanine.

I've always allocated space in the garden to experiment with new plant varieties. This year, it was occupied by three nightshade: purple tomatillos, groundcherries, and Morelle de Balbis.

The purple tomatillos got a late start and didn't fully ripen before the first frost, but I was able to harvest a decent crop of the green variety before they succumbed to the same fate.

Groundcherries were a delight (for the squirrel and slugs too). When ripe, their papery green husks turn brown and they fall to the ground. The berries within are edible when green and taste similar to tomatillos. They turn yellow when ripe and become sweet with a flavor reminiscent of pineapple. They'll definitely be on the roster next year.

The Morelle de Balbis were formidable plants to grow— the stems, leaves, and husks are covered with fierce thorns that like to grab onto clothes and hair, and prick exposed skin. The husks surrounding the berries make them appear to be physalis, but they belong to the genus solanum. They break open when the fruit ripens, exposing red berries that taste like a blend of tomatoes and plums, and take on sweet cherry notes as the fruit ages. 



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pineapple honey glazed groundcherries
cherry honey glazed Morelle de Balbis
lime tomatillo tuile    sheeps milk gelato
sweet cicely   chamomile 


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Even as I put my garden to rest for the year, I'm already thinking ahead to next.

I already know that nightshades will take up most of the real estate. I'll put the tall tomatillos towards the back, the low-growing groundcherries in the front, where they'll have room to sprawl. The potatoes will grow in a row along the wall that will retain the soil that I'll pile on them as they grow. There will be peppers, both hot and sweet, and petunias in hanging baskets on the porch, flowering tobacco in the border by the back door to perfume the night air.

I look forward to growing two new-to-me varieties: wonderberry, an edible member of black nightshade (see above), and naranjilla (Solanum quitonense), a shade tolerant plant that produces acidic orange berries, reputed to taste like pineapple and lime. 

And yes, there will be tomatoes, as many as I can fit. They'll get the spot with the best soil and the most sun because the tomatoes that grow there will likely be the best that I eat all year. Maybe someday, with a push from science, that will no longer be true.

elderflower

I once found elder growing on our property. I came upon the single straggy specimen while clearing a patch of the hillside to plant fruit trees. It was struggling in the dense overgrowth and I had hoped that its new situation of light and air would help it along. But the following summer, and the one after, when our lives filled with other priorities, the wild reclaimed the orchard and swallowed up the elder.

After that, I considered cultivating elder on a more hospitable part of the yard— there are many ornamental hybrids with unique characteristics for the home gardener and elder enthusiast. For now, I'm happy to harvest flowers and berries from the naturalized specimens that grow abundantly along the roadsides of Northwestern Connecticut.

Elderflower

For most of the year, elder's dark green foliage blends in with the understory and is hard to spot. But there's a two to three week window, just after the last of the June strawberry harvest and just as the first blueberries ripen in July, when elder bursts into bloom, and elderflowers become like beacons to bees and foragers alike. That's when I stop to pick flowers from the dozens of mature trees that I pass on my daily travels, leaving enough behind to return for ripe berries in late September.

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Elderflowers have a musky honey aroma that is both fruity and floral. Picked early in the morning (when most flowers have a heightened scent), they smell to me of muscat grapes. That may be why I like my elderflower cocktail with moscato wine instead of champagne, and certainly what inspired this bavaroise, served with St Germaine-glazed blueberries and honeycomb candy.

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elderflower ambrosia

Ambrosia often refers to an orange and coconut concotion, but can also be used to describe something that is particularly delicious and nectar-like— a fitting description for this dessert.

elderflower moscato bavaroise

250g moscato
60g sugar
2 egg yolks
40g St Germaine
60g creme fraiche
1 sheet gelatin, softened in cold water
200g heavy cream, chilled and whipped to soft peaks

Cook the moscato and sugar to 100C/212F. Whisk together the yolks, St Germaine, and creme fraiche. Slowly drizzle the hot syrup into the yolk mixture while whisking, then transfer to saucepan and cook over medium low heat until bubbly and thickened. Remove from heat and whisk in the drained gelatin until dissolved. Cool to room temperature, then fold in the whipped cream. Pour mixture onto a parchment lined sheetpan and spread to an even thickness of 2.5cm/1". Chill for 2-3 hours, until set.  

elderflower white chocolate shards

100g white chocolate, melted
2.5g freshly picked elderflower blossoms, plus more for garnish

Spread the white chocolate on parchment or silicone in a thin, even layer. When it has cooled, but not yet solidified, sprinkle blossoms over top of chocolate, pressing lightly to adhere. Chill until chocolate can be peeled from parchment and broken into shards. To preserve the color/integrity of the blossoms: do not freeze or assemble more than 30 minutes in advance of service.

St Germaine glazed blueberries

65g St Germaine
25g unsalted butter
150g blueberries

Bring the St Germaine to a simmer and whisk in the butter. When the mixture returns to a simmer, add the blueberries. Toss well to coat berries and continue cooking over gentle heat for a minute or two, just until they are warmed through. Keep warm until ready to serve.

honeycomb candy (see recipe here), broken into shards

To serve:  Using a long, offset spatula, and a single motion, cut and scoop up a 2.5cm/1" wide slice of the bavaroise. Drop onto a serving plate, right of center. Embed upright shards of the elderflower white chocolate alternately with the honeycomb candy. Sprinkle the blueberries to the left and over the top of the bavaroise, then drizzle some of the glaze over the top of berries. Garnish with a sprinkle of fresh elderflower blossoms.

 

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barley salad

Salads, like a wardrobe, change with the seasons. In winter, grains stand in for the leafy greens that are abundant in the warmer months and I look to my windowsill instead of the herb garden for flavor power ups. Fruits and vegetables, the mementos of summer, are culled from jars instead of bins.

The dressings for these salads vary as widely as the components, even within the parameters of a classic vinaigrette: 3 parts oil to 1 part acid. Oils pressed from seeds, nuts, grains, and fruit each possess their own personalities and can be further customised with aromatics. And oils aren't limited to plants— hot rendered animal fats can transform coarse greens and grains into something special.

Acids offer even more variety as they can be made from, or flavored with, almost anything and needn't be restricted to just vinegar and citrus. Sour fruit juices such as verjus, tamarind, passion fruit, crabapple, rose hips, plums, rhubarb, and pomegranate make fruity dressings bursting with sweet, tangy flavors when the oil ratio is lowered to double the amount of juice. Most milk products lack acidic presence, but kefir whey makes a kicky dressing that feels light on the palate with a milky background. 

With a wide and varied palette of flavors at hand, your mind and palate will never be bored, and a meal as ordinary as salad, with little effort, can be made extraordinary.

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This barley salad was dressed with passion fruit juice, rice bran oil, shallots, and hishio, a type of barley miso. Herbs from the windowsill include mitsuba (Cryptotaenia japonica), saltwort (Salsola kornarovil), and sedum (Sempervivum tectorum). And from the pantry are: burdock ribbons pickled in coconut vinegar, Rainier cherries preserved in umeboshi and simple syrup, and ground cherries (Physalis pruinosa) preserved in sake.

fruit tart

Once, my friend Judy gave me a rudimentary lesson on throwing pottery. I can still remember how the clay felt between my fingers as it turned on the wheel. Supple. Lithe. Obsequious. A gentle pull would make the clay rise like a tower; a push would flatten it into a slab. Up… down… out… in… I delighted in the responsive dance of force and symmetry. 

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I went into the pottery studio that day with a project in mind: a shallow bowl with thin walls that tapered gently outward. Tried as I did, my inexperienced hands couldn't make the clay dance that way. Later, it was decided that the best way to build the bowl was from a molded slab. The process involved rolling, cutting and molding. THESE were motions that my hands understood; it was the dance of pastry.

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There are two types of molds used for clay slabs: slump and hump. In slump molding, the clay is laid inside the mold, much like pastry dough is fitted inside a pie or tart pan. In hump molding, the clay is draped over the outside of the mold. This was how I formed my bowl because: 1) it was the only type of mold available at the studio, and 2) it allowed the inside of the bowl to remain smooth and free of blemishes while modeling the slab to the mold. The process made me question why we build pastry crusts inside the confinement of pans and overlook the outside

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Wet clay is made up of fine mineral particles that float in thin layers of water. When clay is rolled, the particles line up in the direction of the force. If a clay slab is rolled in only one direction, the particles line up to form a grain that will cause the object to shrink against the grain when dried and fired.

I've often wondered why recipes for pie crusts insist that the dough should be rolled from the center out, and why they sometimes shrink unevenly when baked. I've wondered, too, about the turns in laminated doughs. I never expected to find the answers in working with clay, but I'm glad I did.

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freeform pate brisee bowl ✢ yuzu curd ✢ meringue 
rambutan ✢ lychee ✢ myoga ✢ ume
ground cherry ✢ black sesame 

myoga and ume

A pair of new-to-me Japanese ingredients that I'm excited to work with:

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Myoga (Zingiber mioga) is a close relative of common culinary ginger root (Zingiber officinale) that is prized for its edible flower buds. The buds are made up of scales that are crisp— like celery— with a refreshing ginger flavor that is characteristic of the genus. In Japan, myoga is commonly served raw in sushi, and as a condiment (yakumi) for cold dishes such as tofu and noodles. In other preparations, it is pickled or dipped in tempura batter and fried.

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Ume (Prunus mume), often refered to as a type of plum, is a distinct species that is more closely related to apricots. Ume, with 4-5% acidity, are tarter than plums (1-2%), and contain astringent polyphenols, as well as glutamine, an amino acid. In Japan, ume are almost exclusively consumed in a preserved form. The most popular, umeboshi, is made with lactic acid fermentation, where the ripe yellowish plums are salted and weighted, then dyed with red shiso (akajiso) before being dried. Unripe ume are steeped for prolonged periods in shochu and sugar to make umeshu (ume liqueur). In this preparation, the flavor of the flesh, as well as the kernel, infuses the umeshu, which is then enjoyed straight up or in a cocktail. The liquor-soaked fruit (pictured above) is fragrant and addictive.

burrata peaches agastache

To a cook, food is a kaleidoscope of things: art, science, history, identity, religion. Sometimes food is just fuel; sometimes life itself. Every once in a while we encounter a food that is pure magic.

Take burrata, for instance: an impossibly thin skin of mozzarella encapsulating a filling of cream and curds. Surely (I thought), it's the work of an otherworldly being; the conjuring of a generous sorcerer, or a sleight of hand by a milk magician with an enormous heart. 

I said as much (or something like it) to a complete stranger upon tasting a particularly ethereal specimen, to which he replied with a humble "thank you". It took me a moment to understand that he was telling me that he had made the burrata himself, perhaps because his earthliness threw me off. But after listening to him describe the process with reverence and passion, while the whole time his deft hands traced the motions, I knew that I was at least half right.

Burrata

If a mere mortal can make burrata, can we cooks do anything to make it better? To subject it to temperature or tools would only destroy its texture— and burrata is all about texture, the flavor is only as good as the milk from which it's made. No, the best we can do is to pair it foods that will act like magician's assistants, whose role is to enhance the performance of the magician.

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My peaches were a disappointment this year. The ones that didn't rot on the tree weren't even worth picking. After the magic of last years harvest, I want to blame it on the incessant rain but that wouldn't explain why the local peaches weren't so affected. In fact, the ones I picked up at the farmer's market displayed remarkable balance and aroma for such a wet year. They made a wonderful fresh peach and mascarpone tart, flecked with spicy, citrusy Agastache "Desert Sunrise" flowers, but paired with burrata, as they are here, the dish was enchanting. 

shrimp cocktail

Shrimp cocktail made its debut on American menus in the 1920's. The combination of ketchup and seafood existed long before that, but the addition of horseradish and lemon was a unique creation for Prohibition; a mock cocktail to open the palate and a reason to dust off fancy stemware.

Gratefully, the ban on alcohol was lifted 80 years ago. Since then, we are not only free to celebrate with a proper cocktail, but cocktails themselves have become a cause for celebration. With the evolution of bartenders into mixologists, the world of potable flavor seems limitless. 

 

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Seafood broth in cocktails is nothing new. Forty five years ago, Mott's introduced a blend of tomato juice and clam broth inspired by the flavors of Manhattan clam chowder and marketed it as Clamato. Mixed with vodka, it remains a popular savory alternative to a Bloody Mary.

When looking at the opening courses of a progressive dinner where the focus is on clean balanced flavors, for which sea creatures are so well suited, it surprises me that there are not more seafood based cocktails. In addition to Clamato cocktails, there is Sangre de Tigre— a fierce potion made from ceviche marinade. Though delicious, it nearly blew out my palate. This shrimp-based libation is more delicate; a sweet-sour-savory blend of flavors, piqued by horseradish.

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shrimp cocktail
makes about 4 cocktails 

Most of the fun— and a lot of flavor— come from the garnishes: sucking the shrimp head, then peeling and eating the body (serve with a small bowl for the shells and moist towellette to clean fingers). The hollow stem of lovage also contributes vegetal celery flavor— it's a straw that you'll want to chew.

10 head-on shrimp
150g watermelon juice
60g coconut water
25g freshly grated horseradish
2 strips of lime zest 
pinch of salt 

Arrange the shrimp in a single layer in a sous vide bag and pour in the remaining ingredients. Vaccuum seal the bag and cook at 49C/120F for 25 minutes. Transfer bag to an ice bath and chill for 15 minutes. Open bag and strain broth through a fine mesh sieve. Chill broth and shrimp seperately. 

for each cocktail:
70g chilled shrimp broth
4g lime juice
24g white rum

Place broth, lime juice, and rum in a cocktail shaker half-filled with ice. Shake vigorously and strain into chilled cocktail glass. Garnish with lovage straw and chilled shrimp.

dessert and stories of India

I've never been to India but I know people who have.

I've listened to their stories and impressions; some are Utopian glimpses of a country as seen through Merchant Ivory colored lenses. They tell of majestic vistas, magnificent carved stone temples, sultry gardens vibrating with exotic fruits and flowers, and women with dark mysterious eyes draped in silks the color of jewels.

Then there are those who tell of a different India and speak only of oppression, abject poverty, suffocating crowds, dust and lost children. The dichotomy of their tales makes me wonder if they all traveled the same country. But when I think of the places I've been, I realize that India isn't so different from anywhere else.

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One recent traveler spoke at length about the food of India: the diversity of street food, rustic dishes in private homes, and a lavish multi-course meal served in a palace. I listened to the descriptions with equal interest, although one in particular captured my imagination. It was of gulab jamun— deep-fried semolina pastries soaked in rose syrup— served with yogurt, pistachios, coconut, and dried fruits. The pastries themselves were described as very dense and sweet, but it was the combination of aromas and flavors that spoke loudest to me of India.

I was thinking of that dessert when I puffed pasta tubes that were cooked in cardamom tea and stuffed with coconut yogurt. Even then I realized that I had made a type of cannoli, which holds no place in Indian cuisine, but I went ahead and added rose and saffron macerated apricot and crushed pistachios. The dish, like the stories, is an impression of a place.

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Someday I'd like to see India for myself, but in the meantime I can experience it through food. The flavors and aromas of a cuisine tell the most authentic stories.

 

amazake strawberry kinome

It was on a blustery winter afternoon that I first sampled amazake. It came in the form of a traditional Japanese beverage, served warm with a sprinkle of grated ginger. Learning that it was essentially just fermented rice and water, I was amazed at the depth of flavor and sweetness that koji had coaxed out of the rice. And there was a richness about the way that it felt in my mouth that reminded me of dairy. It was, I was told, the vegan eggnog.

Recently, I had a visitor come to my home to see my newly remodeled kitchen. Because he writes about food, I wanted to cook for him and was eager to showcase some of the products that I had fermented. For dessert, I made an amazake ice cream based on the beverage, using coconut water for added flavor. It was really an experiment, as I was curious about the texture of churned and frozen amazake. The result was not as creamy as I had hoped and the inherent sweetness had muted to a mere whisper— which typically occurs with freezing. We both agreed that it showed promise, but needed work. 

We also agreed that the flavor of strawberries and kinome with the amazake was quite special, so that part of the dish would remain intact.

Days later, I made a new ice cream with pureed amazake, cream, and sugar. It was a vast improvement over the original, but I couldn't help but feel that I had missed an important opportunity.

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As someone who cooks customized food for a living, the upsurge of food intolerances is a salient concern. Coeliac disease, lactose intolerance, and food allergies are serious conditions that I have learned to make allowances for. Then there's an ever-increasing number of people who choose to refrain from entire food groups such as dairy or meat, or follow 'lifestyle diets' that exclude white powders and saturated fats. Add to that, the political eaters who prohibit foie gras, veal, unsustainable fish, factory farmed proteins, and unorganic produce; or picky eaters who refuse to eat (for example) anything with garlic or onions, and you can begin to see why chefs are so frustrated— some to the point of choosing to make NO allowances.

I don't have that luxury.

When a guest at a dinner party unexpectedly announces that there is something on the carefully planned menu that they can't or won't eat, I have to accommodate them. No excuses. 

The upside is that when you feed someone with special dietary needs a delicious and satisfying meal that doesn't offend their bodies or minds, they are exceedingly grateful. Altruism aside, a happy client is always a boost to the ego.

Over time, I've learned to make adjustments to fit most diets, but vegan desserts continue to challenge me. In a pinch, I can turn to fresh fruit and sorbet or granita, but that often feels like a copout. So I reexamined amazake's potential to add texture, natural sweetness, and moisture to desserts that otherwise rely on dairy products and refined sugars, and I decided that an ice cream was a good place to start. To the pureed amazake, I added coconut milk for richness, rice syrup for added sweetness, and guar gum to improve the mouthfeel. The addition of sichuan pepper was specific to this dish to enhance the flavor of strawberries and kinome. 

While I'm pleased with how the amazake ice cream turned out, if I were given a choice between the sweet cream version and the vegan one, I would invariably choose the former.

I'm grateful that I have that luxury.

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amazake ice cream ✢ puffed forbidden rice
strawberry ✢ sake ✢ kinome 


vegan amazake ice cream

400g coconut milk
260g amazake
20g rice syrup
5g vanilla
4g lightly toasted and ground sichuan peppercorns (optional)
3g guar gum

Place all ingredients in a high speed blender and blend 3 minutes, or until very smooth. Scrape mixture into an ice cream freezer and proceed according to manufacture's directions.