the three friends of winter

 

The Three Friends of Winter
a dessert

serves 6 

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winter: kasu amazake

This is a variation of amazake that introduces yeast via the kasu (sake lees), aligning it with Chinese jiuniang. Traditionally made with glutinous rice, it can be made with any variety (I like using fragrant jasmine and basmati). Served warm and flavored with yuzu zest, it is sweet, wonderfully aromatic, and mildly alcoholic— an adult version of rice pudding. 

rice                                1/2 cup                90g
water                             1 cup                    235g
kasu                               2 Tblspns              35g
koji                                1 cup                   180g
microplaned yuzu zest      2 tsps                   4g

Bring the water to a boil in a small saucepan. Add the rice, stir, cover pan, and reduce the heat to low. Cook for 15 minutes or until tender.
Sterilize a bowl, a spoon, and a 1-qt glass jar with boiling water. When the rice is cooked, transfer it to the bowl and cool to 55C/130F. Crumble the kasu over the rice, add the koji, and toss mixture with the spoon until well blended. Transfer mixture to jar and cover. Incubate in a water bath at 55-60C/130-140F for 2-3 days, gently shaking the jar every 6-8 hours. After 24 hours, the kasu amazake should be mildly sweet and smell yeasty. It will continue to get sweeter and headier— remove from water bath when it reaches a pleasing flavor and aroma. If not serving within a few hours, stop fermentation by placing the jar in a boiling water bath for 5 minutes and store in refrigerator for up to a week.
To serve, gently warm the kasu amazake and stir in the yuzu zest.

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Bamboo: candied black sesame

When black sesame paste is cooked in sugar syrup and brought to the firm ball stage, the oil and solids create a product with the texture of brittle fudge. Here, young bamboo shoots are first impregnated with the light syrup, then coated with the reduced syrup and left to dry.

black sesame paste                              2 Tblsps                 40g
hot water                                            1/4 cup                 60g
sugar                                                  1 cup                     200g
liquid glucose                                      1 Tblsp                  21g
18 young bamboo shoots 

Pour the hot water over the sesame paste in a saucepan and whisk to dissolve. Add the sugar and glucose, stir to combine. Cook over high heat to 104C/220F. Remove from heat and add the bamboo shoots to the hot syrup, submerging them. Cover pan and set aside for at least 6 hours at room temperture. Remove shoots from pan and set on a rack to dry. Return pan to high heat and cook the syrup to 121C/250F. Remove from heat and, using a fork, carefully dip each bamboo shoot in the thick syrup to evenly coat, then place on a sheet of parchment to dry. If syrup begins to harden, rewarm gently until fluid before proceeding.
Candied bamboo shoots can be kept in an airtight container for up to 3 days.

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Pine: genoise, meringue

Both the cake and meringue are made with pine infused sugar. To heighten the flavor, a drop of pine essential oil was used in the syrup that moistens the genoise, and in the meringue. When buying essential oils for culinary purposes, look for 100% pure therapeutic grade.

pine sugar

sugar                                   1 cup                    200g
pine needles                         1/4 oz                   12g

Place the sugar and pine needles in a blender and blend on high speed for 2-3 minutes until pulverized. Let stand 5 minutes and blend again for 1 minute. Sift the sugar through a medium sieve to remove pine chaff. Sift again through a fine sieve to remove small particles.

pine genoise

sifted cake flour                   1/3 cup                  44g
cornstarch                           5 Tblsps                37.5g
eggs                                   4 whole                 200g
pine sugar                           1/2 cup                 100g
cream of tartar                    1/4 tsp                  .75g

Preheat the oven to 350 F. Grease and flour a 9" cake pan.  In a small bowl, whisk together the flour with the cornstarch. With an electric mixer, beat the eggs with the sugar on high speed for about 5 minutes, or until thick, fluffy, and about tripled in volume. Sift half of the flour mixture over the eggs and fold in with a spatula. Repeat with the remainder of the flour mixture. In a separate bowl, whip the egg whites just until foamy. Sprinkle on the cream of tartar and continue whipping to stiff peaks. Fold the whites into the batter, then pour into prepared cake pan and level off the top. Place in the oven immediately and bake for 20-25 minutes, or until the top springs back when pressed, or a cake tester comes out clean. Remove from oven and allow to cool for 15 minutes before turning out of pan to finish cooling. 

pine yuzu syrup

pine sugar                            2 Tblsps                25g
water                                   1/4 cup                 59g
yuzu juice                             2 tsps                   10g
pine essential oil                   1 drop

Bring the sugar and water to a full rolling boil. Remove from heat, cover and let cool. Stir in the yuzu juice and essential oil. Evenly drizzle all of the syrup over the cake.

pine meringue

egg whites                            1/4 cup                 60g
cream of tartar                      1/4 tsp                 .75g
pine sugar                             4 oz                     115g
pine essential oil                    1 drop

In an electric mixer, beat the whites on medium speed until frothy. Add the cream of tartar and continue beating on medium while gradually adding the sugar. When approximately 1/2 of the sugar has been added, raise the speed to high and gradually add the remaining sugar until meringue is stiff and glossy. Remove a heaping spoonful (about 1/4 cup) of the meringue to a small bowl and fold in the drop of essential oil until well incorporated. Return the meringue to the mixing bowl and beat for 1 minute.Transfer the meringue to a piping bag fitted with #7 (small round) tip. Pipe long lines of meringue onto a silicone sheet. Bake in a 93C/200F oven for 1 hour, then turn off oven. Let meringues sit in oven until they release easily. To make 'pine needles' run the blade of a thin, offset spatula under each line of meringue— they will break off in short segments. Store in an airtight container for up to 5 days.

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Plum: umeboshi puree, preserved ume

umeboshi plum puree

When making fruit purees, I like to freeze the fruit for a day or longer before processing. The freeze/thaw cycle releases flavorful juice by rupturing cell walls, allowing better control of solids:liquids ratio. It also allows the skins and pits to be easily removed. For this sweet/salty puree, I used deep red elephant heart plums and umeboshi (ume fermented in salt, then dried).
Ultratex is a tapioca-derived modified food starch that has the ability to thicken without applying heat. I used it here to tighten the puree, while retaining the fresh fruit flavor.

juice from frozen and thawed plums                    105g
solids from frozen and thawed plums                    80g
umeboshi, pitted                                                 22g
yogurt                                                                50g
honey                                                                 30g
ultratex 8                                                           8g

Place all of the ingredients except for the ultratex in a high speed blender and blend until smooth. With motor running on medium, drop the ultratex into the center vortex and continue blending until thickened. Transfer puree to a squeeze bottle.

 ume leaves 

Ume, aka Japanese plums, are not a type of plum, but a distinct species in the subgenus Prunus that include plum and apricot. Even when ripe, they are at least twice as acidic as plums. Although fresh ume are difficult to find in the US, Kanjyuku Ume No Mi (preserved plum produced by Choya foods) can be found in markets like Mitsuwa that specialize in Japanese ingredients. Essentially, they are ume preserved in sugar, but they are unlike any candied fruit I've ever tasted: crunchy, gelatinous, barely sweet, fragrant, puckery, and addictive.

5 preserved ume

Cut each ume into 8 wedges, removing the flesh from the pit. Trim the underside of each 'leaf' so that it sits flat on the plate.

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To assemble dish

Place a 7.5cm/3" ring mold in the center of a warmed serving plate. Spoon approximately 3 Tblsps on warm kasu amazake in the center of ring mold and spread in an even layer with the back of the spoon. Lift mold off of plate. Trim the candied bamboo shoots to 7.5cm/3" in length and arrange 3 on top of the kasu amazake. Break the cake apart into small, irregular pieces and arrange 3 pieces at the base of bamboo shoots. Scatter some of the pine meringue needles over the top of cake. Arrange 6 of the ume wedges around the base of the cake to resemble bamboo leaves. Pipe clusters of 5-dot circles on either side of candied bamboo to resemble plum blossoms and single dots to resemble buds. Repeat with remaining plates.

Saveur, a five year anniversary, and a new kitchen

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Just over two years ago I received an email from Steven Stern, a food writer, who asked if I was interested in being featured in an article for Saveur magazine. The proposed story would take a behind-the-scenes look at how I use my kitchen to prepare the foods that I post here on Playing With Fire and Water.

Over the past two decades, Saveur has inspired and fueled a passion for world cultures through the lens of food, consistently delivering quality content without relying on trends. In this shifting landscape of cuisine in a rapidly shrinking world, it has been a source of stability and perspective. 

Of course I was interested!

But there was a major obstacle. At the time, my kitchen looked like this:
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As luck would have it, my kitchen was in the process of remodeling and it would take months to be presentable. I explained to Steven and he assured me that the story would wait.

Then I worried about his expectations— was he hoping to find a kitchen, a laboratory, or a hybrid? 

Although the new kitchen's footprint had doubled in space, there was still no room (or budget) for a chamber vacuum, CVap, rotary evaporator, or any other laboratory-cum-kitchen equipment. My cooking had always relied upon a few basic appliances that could be found in any serious cook's kitchen and, for the time being, would continue that way. I hoped that was not going to be a deal breaker.

Steven Stern's reply was affirmation that we were on the exact same page and that he was the right person for the story:
" I love that there's this online world of people sharing information and ideas, and it totally cuts across the usual boundaries of amateur and professional. And what's so appealing about your blog is that while you're working at this very high level of craft, everything you do seems approachable and personal and idiosyncratic. It really broadens the idea of "home cooking." So, yes, I think the idea that you're not working in some sterile lab with liquid nitrogen tanks and a centrifuge is precisely what we want to stress."

Predictably, the remodel ran behind schedule, but Steven was patient and finally came to my home in early summer. We passed a lovely afternoon chatting about food. I cooked for him, eager to introduce him to some of the fermented foods that I was working on. His questions, backed by genuine curiosity, felt like getting acquainted with a new friend, never like an interview.

Months later, I received a message from Penny De Los Santos informing me that she was coming to photograph my kitchen. It felt like I won the lottery and was acutely aware on the morning that she arrived of how fortunate I was for the opportunity to observe her at work and to pick her brain. She is as sweet and real as she is talented.

The story was written, the photographs taken, the waiting began. Right from the start I understood that the article, because it had no seasonality, could be published at any time. Or not at all. Even if it never saw the light of day, I was beyond grateful for the opportunity to have met two immensely talented people whose work I admired.

In November of 2012, word came from Saveur that they had decided to feature Playing with Fire and Water in their Saveur 100 issue with a blurb from Steven's story. I was delighted that its release would coincide with the 5 year anniversary of this blog and honored by the recognition of the love and work that went into it.

If I have any regrets, it's that I never got to read Steven's full story, or see more of Penny's images, and that you, dear readers, never got to see my new kitchen. Just like this blog, I put a lot of thought and love and work into it and it deserves recognition, too. I'd like to share it here— not to show it off (OK, maybe a little of that)— but with hopes that it will inspire you in organizing your own workspace.

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To introduce you to my new kitchen, it would be fitting to begin with a backstory and images of the old kitchen, but that seemed redundant since those were already published in a previous post that you can read/view here.

Kitchen

Design: giving form

When I cook casual meals at home for my family, food is often served directly from the stove or oven, and everyone helps themselves. For formal meals, or when I'm being paid (or paying) for food, I spend more time on presentation, making it as significant as the flavor. In design terms that translates to form equals function.

My years of working as a private chef and caterer have placed me in countless kitchens, both residential and commercial, that have exposed me to the full spectrum of form vs function. On one end are the picture-perfect home kitchens where, upon closer inspection, functionality took a back seat to aesthetics. At the other end are the commercial kitchens, optimally organized for performance, but in the cold light of day appear sterile and soulless. Both of these situations have redeeming features, the challenge in designing my new kitchen was finding the sweet spot where these two elements intersect.

Kitchensink
One example of form equals function is the sink faucets that were chosen both for their look (modern profile/vintage patina) and commercial features (pull down head with one-touch spray/stream control, and single temperature lever). I liked them so much that I bought two— one for the main sink, and one for the island sink that is indispensable for foodhandling tasks such as washing hands, produce, and filling and draining pots.

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Another example is the 'apothecary' that utilizes the wasted space between wall studs by framing it and fitting with shallow shelves that make ingredients accessible. While I love to see collections of things on display, open storage can often look cluttered. Using uniform jars and labels makes them look cohesive and tidy.

Aesthetically, the goal was to assimilate my predilection for modern design with the character of my 93-year-old house. To achieve this, I relied on contrasting shades, textures, and surfaces, juxtaposing contemporary with vintage. A  lot of contrast can become jarring to the eye— to soften the effect, the color palette was limited to warm earthtones, and pattern to the granite countertop. I couldn't be happier with how it turned out.

Kitchen1

Organization: making it function

The first thing I do when working a private kitchen is to clear the countertops and organize the space to function like a restaurant by defining stations for prep/mis en place, cooking, plating, and cleanup. Ideally, the first three are staged within reach of each other and the cleanup area is segregated to hold the dirty dishes and clutter that can't be dealt with while the clock is ticking.

Using this model as the starting point for the new kitchen's floor plan, I placed the main sink and dishwasher at one end of the room, and located a second sink on the island for food handling. In the cleanup area, it made sense to store dishes, glassware, and flatware near the dishwasher and dry goods near the refrigerator.

With the cleanup area situated at one end of the kitchen, and the dining area at the other, there was no question that all of the food preparation would take place in the center of the room. For this, I designed a nine foot long island with a stove and sink, and separated them with a span of counter workspace. I spent a considerable amount of time on the cabinet layout so that all of the necessary tools and equipment would be stored where they were most needed. The island storage provides cutting boards and knives for prepping, and utensils and pans for cooking, all within arm's reach.

Kitchenisland

I find it hard to function or think around clutter— it disrupts organization and focus. Eliminating countertop clutter, particularly on the island, was mandatory. But, then, where to put the small appliances and paraphernalia that are needed when prepping?

I gave them an accessible home in a cabinet, located directly behind the island, where the appliances are always plugged in and ready to use, then quickly tuck away behind a folding door. To accommodate the inevitable spills and splatters, I finished the inside surfaces with four coats of polyurethane for easy cleanup. (Note: all of the paints, stains and finishes used were water-based. Generally, they are more expensive and harder to work with because they dry so quickly, but the payoff was less fumes and toxic emissions).

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The wall unit also houses a trio of baking drawers, situated beneath the mixer, that make baking a breeze. The middle drawer was designed for two flip-top containers (each holds a five pound bag of flour or sugar) whose lids snap shut when the drawer closes. Having everything at hand, I can whip up a batch of pancake or muffin batter in the time it takes to brew coffee. 

Next to the appliance cabinet is the skinniest spice rack (I've) ever seen and one of the design features that delights me the most. It was meant to be dead space that enclosed a support beam, but at the last minute I re-imagined its potential and changed the faceboard to a door and fitted it with shelves. It's only 5" wide and half as deep, but it stands floor to ceiling and holds 28 jars of spice!

Kitchenbakingdrawers

Designing a wall cabinet to be flush with the refrigerator gave the appliance a built-in look that made it less prominent in the room and made the storage more accessible. Divided vertical storage is the most efficient use of space for storing flat and shallow wares such as cutting boards, sheet pans, platters, and racks.

Kitchenfridge cab

Construction: making it a reality

Long before the design and layout were finalized, I began looking for the most important element that would become the kitchen's backbone of both form and function— the cabinetry. After years of searching and indecision, our cabinets found us when our good friends Phil and Roxanne generously offered a set that they ordered for their own kitchen and then decided to go with another finish. They were perfect, really— well constructed with clean simple lines— but they were only enough to fit the cleanup area. The remaining cabinets (the island, refrigerator and wall units, and bookcases) had to be custom made to match and fit. For these we relied on another good friend, Ron Pronovost, master cabinet maker, whose impeccable craftsmanship we knew would bring them to life. In fact, the entire kitchen was built with help from a circle of friends and acquaintances with the specialized skills that extended beyond our own.

When we were ready to proceed, the demolition began. Curiously, this was the only stage that my sons wanted to be a part of. Over the course of a few days, we removed the old cabinets and windows, stripped the plaster walls and ceiling to bare studs, and took down a wall that divided the kitchen from the dining room. It was simultaneously exhilarating and terrifying. 

With the kitchen gutted, my husband and I ran electrical wires, installed new windows and ductwork for the exhaust. We sub-contracted the aforementioned friends and acquaintances to make electrical connections, run plumbing, put up sheetrock, and refinish the wood floors. After the cabinets were installed, I spent weeks painstakingly staining and painting them, putting up the tile backsplash and light fixtures, and stripping, refinishing, and installing the original millwork. It was truly a labor of love.

I'm often asked if there is anything that I would have done differently. It is then that I consider the things that I wished I had more space for: a larger refrigerator, a CVap oven, and always, always more storage. But those desires pass quickly when I think of the life-changing efficiency and profound pleasure that it has brought to the thing I love most— cooking.

faux bois cookies

When tender vegetation succumbs to killing frosts, it's the trees that lend interest to the winter landscape. And after the bounty of summer fades into fond memories, the trees grace our holiday tables with good things to eat.

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Trees are so ubiquitous that it's easy to take them for granted, but just try to imagine life without them. Our houses would have a different character and our hearths would be cold. Cooking, as we know it, would have deviated from its path and taken the course of history and the progress of man along with it.

But trees are more than wood— they enrich our catalog of flavor. Without the things we harvest from trees there would be no sweet reduced sap to pour over our pancakes. Chewing gum may have never been invented. We would not know the comfort of apple pie or the aroma of a ripe peach. Our pantries would be destitute of sweet, oily nuts and our spice racks would lack the warmth of cinnamon, cloves, nutmeg, and sweet bay. Winter, the bleakest season, would be unbearable without the spark of citrus. 

So while we rejoice in our holiday hams and roasts and vegetables and grains, and all of the splendid things from pastures and fields, let us not forget to consider the trees and celebrate their bounty.

 
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BISCUITS DE BOIS

These no-bake cookies are redolent of chocolate, chestnut, and bourbon. Bittersweet and boozy, they are decidedly adult treats. They were inspired by faux bois cement sculptures from the 19th century. Easy to make with  these whimsical cookie cutters, they can alternately be made by cutting the dough freehand (or with a template) into branch shapes and pressing the surface with the tine of a fork to resemble bark. Make the dough well in advance to allow the flavors to mellow.

bittersweet chocolate, finely chopped                   4 oz                 113g
cocoa powder                                                    3 Tblsp             11g
chestnut flour                                                     3/8 cup            170g
egg white                                                          1 large             40g
superfine sugar                                                  2 Tblsp             26g
unsalted butter, softened                                    3.5 Tblsp          48g
bourbon                                                            1.5 Tblsp          12g

Pulse the chocolate, cocoa powder, and chestnut flour in a food processor until the chocolate is the texture of sand.
In the bowl of an electric mixer, whip the egg white with the whisk attachment until it forms soft peaks. Gradually add the sugar while continuing to whip until stiff peaks form. Add the bourbon and whisk to incorporate. Remove the whisk and attach the paddle. Sprinkle the chocolate mixture over the meringue and beat on low  for 1 minute. Add the soft butter to the crumbly mixture in the bowl and beat on low for 1-2 minutes, until a malleable dough forms. Wrap the dough in plastic wrap and age in the refrigerator for at least 2 days and up to 1 week. 
Roll out the dough to 1cm/3/8” thickness. Cut out branch shapes and press woodgrain into top.  Set out on a rack to dry for a few hours.
Makes about 1 dozen cookies.


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Xmascookies2

PINE PALETTES

The base of these cookies are sables flavored with spruce-infused sugar. The best flavor comes from the tender young tips that appear in spring— winter tips have a woodier flavor that is best extracted by pulverizing in sugar.
The spruce sugar is used again in the icing to anchor the woodgrained chocolate veneers. 

Spruce sables:
sugar                                                1 cup                        200g
spruce tips                                        .28 oz                        8g 
unsalted butter, softened                    1 stick                       114g 
flour                                                 1 1/2 cups                 190g                    
salt                                                   1/8 tsp                     .84g

Place the sugar and spruce tips in a blender and blend on high speed for 2-3 minutes until sugar is pulverized. Let stand 5 minutes and blend again for 1 minute. Sift the sugar through a medium sieve to remove spruce chaff. Sift again through a fine sieve to remove small particles. Measure out 1/2 cup/80g of spruce sugar and place in a mixing bowl. Reserve the remaining sugar for icing.
Add the butter and salt to the sugar in the bowl and beat on medium speed for 2 minutes until creamy. Gradually add the flour while beating on low speed until it is absorbed. Transfer dough onto a sheet of plastic wrap, wrap tightly and chill for at least 2 hours. 
Roll out dough into a large rectangle 1/4"/6mm thick. Using a straight edge and a pastry wheel, cut dough into eighteen 1 1/2" x 2 1/2"/4cm x 6.5cm rectangles. Place on parchment-lined baking sheets. Bake in a preheated 350F/176C oven for 8 mins, or until cookies are baked through but still pale in color. Let cool.

Chocolate veneer:
dark chocolate, melted                                    3 oz                            85g
white chocolate, melted                                  4 oz                             113.5g
milk chocolate, melted                                    2 oz                             56.5g

Drop about 1 Tablespoon of dark chocolate on a sheet of acetate and spread thinly into a 3"/7.5cm band with an offset spatula. Place a woodgraining tool at the top of the band and slowly drag it through the chocolate while rocking it back and forth. Transfer the acetate onto a baking sheet and refrigerate until chocolate hardens. Blend the white chocolate with the milk chocolate until uniform in color. Remove the acetate from the refrigerator and let temper at room temperature for a few minutes. Spoon some of the white/milk chocolate mixture over the dark chocolate and spread evenly in a thin layer until woodgrain is completely covered. Return to refrigerator until hardened. Carefully peel woodgrained bands from acetate and set aside. Repeat 4 more times until you have completed 5 bands.
Cut the bands into 18 rectangles that are slightly smaller than the cookies using a straight edge and a knife that has been heated over a flame or in hot water. 

Spruce icing:
reserved spruce sugar                                     6 Tblsps                        60g
unsalted butter, softened                                 4 tsps                            21g
milk                                                               1 Tblsp                          18g

Cream the butter with the sugar, then blend in the milk.

To finish cookies: Spread a thin layer of icing on the center of each cookie. Top with a chocolate veneer, pressing gently to adhere.  

Makes 18 cookies.

 

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Xmascookies1

LOG SLICES

These cookies are made with 3 distinct batches of dough, flavored with products from 4 trees: acorn meal from White Oak (Quercus alba), maple sugar and syrup from Sugar Maple (Acer saccharum), mesquite flour from bean pods of the Mesquite tree (Prosopis), and ground pecans from the Pecan tree (Carya illinoinensis). Maple products and pecans are widely available, acorn meal can be found online or in Korean markets, and mesquite flour is found in health food shops.

Oak sapwood:
flour                                                 2 cups                     252g
acorn meal                                       1/2 cup                    66g
baking soda                                      1/2 tsp                     2.5g
salt                                                  1/8 tsp                     .84g
unsalted butter, softened                   1 1/2 sticks               170g
sugar                                               2/3 cup                    120g
egg                                                  1 large                     50g

Maple heartwood:
flour                                                 2 1/2 cups                338g
baking soda                                      1/2 tsp                     2.5g
salt                                                  1/8 tsp                     .84g
unsalted butter, softened                   1 1/2 sticks               170g       
maple sugar                                     2/3 cup                    120g
egg                                                  1 large                     50g       

Mesquite bark:
flour                                                3/4 cups                  100g
mesquite flour                                  1/2 cup                    70g
baking soda                                      1/4 tsp                    1.25g
salt                                                  pinch                       pinch
unsalted butter, softened                   3/4 stick                   85g
dark brown sugar                              1/3 cup                   52g
egg yolk                                           1 large                    18g

finely chopped or ground pecans:       1 cup                       90g
egg wash: 1 egg, lightly beaten  

For each of the 3 doughs: In a medium bowl, whisk together the dry ingredients. Beat the butter with the sugar in a mixer bowl with the paddle attachment for 2 minutes on medium speed until light and creamy. Add the egg and continue beating until incorporated. Turn the speed to low and gradually add the dry ingredients in large spoonfuls until it is all absorbed and a malleable dough forms. For the Mesquite dough, stop beating while mixture is still crumbly. Tranfer to a bowl and cover with plastic wrap. Wrap the Oak and Maple doughs tightly in plastic. Chill all 3 doughs for at least 2 hours.
To form cookies:  Cut off 1/4 of the Maple dough and roll into a cylinder that is 3/4"/2cm diameter x 6" /15.5cm long. Cut off slightly less than 1/3 of the Oak dough and roll out into a rectangle that is roughly 6" x 5" x 3/8" thick (1.5cm x 13cm x 1cm). Transfer dough onto a sheet of plastic wrap and trim one of the long edges so that it is straight. Brush the surface of the dough with the egg wash (glue) and place Maple cylinder along the straight edge. Using the plastic wrap to guide the dough evenly, roll the Oak dough around the Maple cylinder, pressing firmly, until it is completely wrapped, then trim the edge where they meet. The dough will crack as it bends, this is to be expected. Lay the flat of your palms on the center of the log and roll back and forth, exerting even pressure, moving hands slowly from the center of the log to the edges, until the outer layer of dough is smooth and the log has grown about 1"/2.5cm in length, and decreased slightly in diameter. Repeat the wrapping and rolling of each layer with remaining dough, alternating between the Maple and the Oak, and eggwashing between each, until the log is comprised of 6 layers and measures about 8"/20.5cm in length and about 2 1/2"/6.5cm in diameter.
Scatter the crumbly Mesquite dough onto a sheet of plastic wrap and pat into an 8" x 6"/20.5cm x 15.5cm rectangle. Brush the surface with eggwash and place the log along one of the long edges. Use the plastic wrap to completely encase the log with the Mesquite dough, pressing firmly to adhere, then repeat the rolling motion to form a compact log. Scatter the ground pecans on work surface and roll the log over them to irregularly coat the surface. Trim the ends of the log, wrap tightly in plastic wrap and refrigerate for at least 4 hours until firm.
To bake cookies: Slice the log  3/8"/1cm thick, rolling the log between slices to help it maintain its shape. Lay the slices out on a parchment-lined baking sheet and bake in a preheated 350 F/176C oven for  8-10 minutes.
Makes about 30 cookies.


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Xmascookies3

INCENSE TREE

The dough for these stacked cookie sandwiches is fragrant with orange zest and spices that are harvested from different parts of trees: cinnamon (the inner bark of Cinnamomum verum), star anise (the fruit of Illicium verum), nutmeg (the seed of Myristica fragrans), cloves (the dried flower buds of Syzygium aromaticum), and allspice (the dried unripe fruit of Pimenta dioica).
The buttercream filling is flavored with frankincense, the dried tree sap from Boswellia sacra. Frankincense can be found in Middle Eastern markets or online— look for milky white tears, free of debris.

Spice dough:
flour                                            3 cups                      405g
baking powder                              1/2 tsp                     2.5g
salt                                              1/2 tsp                     3.2g
ground cinnamon                          1 1/2 tsp                  4.5g
ground star anise                          1 tsp                        3g
ground nutmeg                             1 tsp                        3g
ground cloves                               1/2 tsp                     1.5g
ground allspice                             1/2 tsp                     1.5g 
unsalted butter, softened               11 oz                       312g
sugar                                           1/2 cup                    95g
muscavado sugar                          1/2 cup                    83g
egg                                              1 large                    50g
microplaned orange zest                2 tsp                       5g 

Frankincense buttercream:
water                                          1/2 cup                   120g 
frankincense tears                        1 1/2 Tblsp              17g
sugar                                          1/2 cup                    100g
egg whites                                   3 large                    90g
cream of tartar                            1/4 tsp                     .80g
unsalted butter, room temp           1/2 lb                      226g
lemon juice                                  1 tsp                       15g 

24 karat gold leaf (optional)

To make cookies: In a large bowl, whisk together the dry ingredients with the spices. Beat the butter with the sugar in a mixer bowl with the paddle attachment for 2 minutes on medium speed until light and creamy. Add the egg and orange zest and continue beating until incorporated. Turn the speed to low and gradually add the dry ingredients in large spoonfuls until it is all absorbed and a malleable dough forms. Wrap dough in plastic wrap and chill for 2 hours.
Roll the dough out to 1/4"/6mm thickness. With a set of 11 round cutters that graduate in size from 3/4"/2cm to 3 5/8"/9.25cm, cut 22 rounds by using each cutter twice. Place the cookie rounds on parchment-lined baking sheets and bake in a preheated 350F/176C oven for 6-8 minutes for the smaller cookies and 8-10 minutes for the larger ones. Allow to cool.
To make the frosting: place the water and frankincense tears in a small saucepan and bring to a boil. Cover pan and set aside for 10 minutes to infuse. Strain through a fine sieve. Rinse saucepan and return 1/4 cup/65g of the strained frankincense water to it. Pour the sugar into the center of the pan, stir gently to wet the sugar and set over medium-high heat. When sugar melts and syrup begins to reach 200F/ 93C, turn the heat to lowest setting.
In an electric mixer with the whisk attachment, beat the egg whites on high speed until frothy. Add the cream of tartar and beat until stiff peaks begin to form. Turn the mixer speed to low, return to the syrup and turn the heat up to high. Bring the syrup to 248F/120C (firm-ball stage) and immediately remove from heat. With the mixer still on low, slowly pour about 1/2 of the hot syrup down the side of the mixing bowl directly into the egg whites but avoiding the whisk. Turn mixer to high and beat for 30 seconds. Return mixer speed to low and slowly add the remaining syrup to the meringue in the same manner. Turn the speed back to high and beat for 2 minutes. Allow the meringue to cool completely before proceeding.
When meringue has cooled, add the butter, 1 Tblsp at a time, while beating on medium speed. If at any time it appears to have seperated, turn the speed to high and beat until it becomes creamy again. When al of the butter is incorporated, turn the mixer to low and beat in the lemon juice. Scrape buttercream into a pastry bag fitted with a #12 (7mm) round tip.
To finish tree: Line up the cookie rounds into 11 pairs and pipe the buttercream onto the bottom rounds all the way to the edges. Lightly press the top rounds onto the buttercream to form 11 cookie sandwiches. Stack the cookies on serving plate, starting with the largest and graduating to smallest, using a small dot of buttercream between each cookie to hold them together. If using gold leaf, press the tip of a small, damp brush on a corner of a leaf and pull to tear randomly. With the piece of gold leaf still attached to the tip of brush, transfer to cookie tree, pressing on a section of exposed buttercream to adhere. Continue until desired effect is achieved.

monkfish liver

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Monkfish liver is rarely seen outside of Japanese cuisine where it is known as ankimo. Those who have tasted its creamy decadence will understand why it's often referred to as "foie gras of the sea", although its flavor is more delicate with just a whisper of its oceanic origin in the aftertaste.

Ankimo is traditionally prepared as a torchon, much like foie. After removing the skin and veins, it is soaked in milk for 4 hours, then rinsed and brined in a solution of water/sake/mirin at a 5:3:1 ratio, with salt added at 3% of total weight, for 8 hours. The drained livers are compressed and rolled into a cylinder in a double layer of fine cheesecloth and the ends are tied. The cylinder is steamed over a 50/50 blend of water and sake until the core reaches 63C/145F, about 20 minutes for a 3" diameter torchon. Or it can be cooked in a 65C/149F water bath for 30 minutes. In either case, the torchon is allowed to rest in the refrigerator overnight before slicing.

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ankimo • kinome • red shiso • pear gelee
red frisee • pickled mexican cucumber • spiced croutons • plum sauce
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At about $8 per pound, the price of commercially-fished monkfish liver is a fraction of foie, but it comes a much higher cost to the ocean. It's not that monkfish is overfished or endangered — it's a fast-growing, short-lived species whose population is currently stable— it's the method by which they are harvested that is of concern. Because monkfish live in mudflats along the Atlantic coast, they are easily caught with trawls that scrape the bottom of the ocean— a practice that results in high incidents of non-targeted bycatch and the destruction of their habitat. Choosing line-caught monkfish, though at a premium, preserves the diversity of bottom-dwelling species and their homes.

Solanaceae: the incredible [sometimes] edible nightshade family of plants

Have you ever cut into a plum tomato and [for a moment] thought it was a pepper?
Or had a similar moment with the seed patterns of eggplant and tomatillos?

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Have you ever roasted peppers over an open fire or opened a bag of sun dried tomatoes and caught a whiff of tobacco?

Maybe you've walked through a vegetable garden and noticed how certain flowers resemble each other?


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You have? Well, you're very observant. And you probably already know that these observations are not random but just some of the threads that link together the nightshade family.

Solanaceae, commonly known as nightshade, is a fascinating and diverse family of plants comprised of 102 genera and 2800 species, many of which are globally significant sources of food.

Popular edible genera and species:
Solanum: potato (S. tuberosum), tomato (S. lycopersicum), eggplant (S. melongena)
Capsicum: bell pepper and chili pepper (C. annuum)
Physalis: tomatillo (P. philadelphica)

lesser edible species:
ground cherry/cape gooseberry (Physalis peruviana), goji berry (Lycium barbarum), tomarillo (Solanum betaceum), pepino melon (Solanum Muricatum), naranjilla (Solanum quitoense), wonderberry/sunberry (
Solanum retroflexum), Morelle de Balbis (Solanum sisymbriifolium).

Nearly half of all nightshade species are found in the genus Solanum, including two important foods: potato and tomato. The potato species, with over 4,000 varieties, is the world's fourth largest food crop, surpassed only by rice, wheat, and corn. It possesses all of the vitamins and minerals necessary for human survival with the exception of vitamin A and D. Think about this the next time you add butter, milk, or sour cream to potatoes: you're creating a nutritionally complete food.

The potato tuber seems an anomaly in this large, varied family of predominantly fruit (tomatoes, eggplant, and peppers are botanically fruits, but for culinary purposes are considered vegetables). That's because the plant is genetically programmed to direct energy to forming tubers instead of fruit. Only 8% of the potato's genes are responsible for this trait, the other 92% of its DNA is shared with the tomato.

Economically, the tomato can give its tuberous cousin a run for the money— 2 billion dollars worth in the US market alone. Not bad for a fruit that started as a wild green berry in the mountains of Peru (also the birthplace of the potato) and thought to be unfit for human consumption for a span of its existence. Even after domestication in Europe, it was regarded as a mere curiosity to some, while others thought them (as a Paduan physician declared in 1628) “strange and horrible things”. But that was a long time ago and we no longer find the tomato so disagreeable. Well, at least not all of the time.

From July through October, homegrown and small farm raised tomatoes are celebrated with cult-like vehemence. For the rest of the year, when our only choice is commercially grown fruit, we are left with… strange and horrible things. How are these even related and, for the love of Flavor, if we can (insert any modern technological advancement), why can't we buy a tomato from November through June that isn't an abomination? For an age-old lament, you would think that the answer is more complicated than it actually is— what it really comes down to is money. The commercial farmers in South Florida, who grow 90% of out-of-season supermarket tomatoes in the US, don't get paid for flavor, they get paid by the pound. In this monopoly, flavor is inconsequential— profit comes from yield, uniformity, shippability, and shelf life. It's a grim laundry list that the other stakeholders— the commercial tomato breeders— must fill in order to get their piece of the pie. In doing so, they have bred the flavor right out of the tomato.

But there is hope…

Earlier this year, two separate papers were published on tomato genetics that could have a positive impact on commercially grown tomatoes by satisfying the consumer's yearning for flavor and still maintain the grower's bottom line.

The focus of one paper, published in the journal Science, is a random gene mutation in tomatoes that turn them uniformly red. Older varieties, like the heirlooms, turn red from the blossom end to the stem, some even remain green around the stem when fully ripe. Although the mutation was discovered 70 years ago and has since been deliberately bred into modern varieties to make them more attractive to consumers and easier for growers to determine ripeness, it was the authors, led by Ann Powell, a plant biochemist at UC Davis, who discovered that the missing gene inactivated by the mutation is responsible for the alluring aroma and flavor of a ripe homegrown tomato.

In another paper, the genome of the tomato was decoded for the first time by an international consortium of 300 plant geneticists from 14 countries. Shortly after it was published in the journal Nature in May, a surprising discovery from the study— that tomatoes possess a whopping 35,000 genes— made headlines. That's about 7,000 more genes than you or me but it doesn't mean that tomatoes are more complex, they just manage their cells differently.

The monumental work, nine years in the making, illuminates a cheaper and speedier path to improving every aspect of the tomato— from flavor, to disease resistance (lacking in heirloom varieties), to nutrition, to yield— and the ability to isolate these traits separately. The information about the evolution and pathways contained in the genome sequencing also has implications for other fleshy fruits that share tomato characteristics.

All of this groundbreaking information may seem like it's clearcutting the way for genetically modified tomatoes. That's been tried already, back in the 1990's, and failed due to consumer confidence. Instead, it facilitates the selective breeding of new varieties, both for the home garden and commercial farms. But when will we see change? According to a member of the consortium, Professor Graham Seymour of the University of Nottingham, in a BBC article:

"I only work with a couple of companies but I know that they are putting through some of these new traits and they are going to their elite lines – but all tomato breeding companies will be taking this up now so you would expect to see a number of new products over the next 3-5 years."

Godspeed.

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tomato poached in lime basil oil 
stuffed with mozzarella curds and mascarpone
tomatine sauce: fermented green tomato and tomato leaf 


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More than tomatoes and potatoes and other good things to eat, nightshade has a dark, unsavory side that begot its name. Meet the shadiest members:    
datura (Datura stramonium)
belladonna  (Atropa belladonna)
henbane (Hyoscyamus spp.
mandrake (Mandragora spp.)

These genera played a prominent role in early medicine and continue to be important today. During the Renaissance, Venetian courtesans dilated their pupils with belladonna, the source of the alkaloid atropine, to make them appear dreamy and seductive. The vain application of the past inspired the more practical modern use of atropine in routine eye exams.

The superstitious minds of Medieval Europe shrouded nightshade in mystery, magic, and the occult. Mandrake, whose forked root sometimes resembles a human form, was believed to release a deadly shriek when pulled from the earth and was only harvested through a complex ritual that involved tying the plant to a dogs' tail on a moonlit night. The witches of the time inhaled henbane smoke to induce hallucinatory trances necessary to cast spells and summon spirits. Many of these plants were included in their legendary flying ointments for the sensations of lightness that they produced.

Earlier still, datura was revered as a sacred visionary plant by ancient civilizations of the world and used ceremoniously to induce prophesies. Henbane was commonly used in Druid and Viking rituals, as evidenced by the seeds found in their graves.  

History, folklore, and literature are all guilty of romanticizing deadly plants, but nightshade's deadly aspect is no joke. These genera are host to a potent chemical soup of psychotropic alkaloids that in the right dose can treat a variety of ailments from motion sickness to Parkinson. In the wrong dose, they are capable of inducing hallucinations, comas, and death. Solanaceae plants produce these alkaloids and other compounds as chemical defenses against predators and environmental threats. but if you think they are limited to the medicinal species, think again.

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     the many colors and shapes of Solanaceae

Everything we eat has consequences. The most blatant example is chili pepper, a food that we willfully eat that causes us both pleasure and pain. The pleasure comes from a release of endorphines. The pain comes from the volatile compound capsaicin that, in a twist, has the ability to relieve pain.

Though not a food, tobacco (Nicotiana tabacum) is an important cash crop that produces the alkaloid nicotine, whose harmful and addictive nature has been well documented. But how many abstainers know that it is also present (in lesser degrees) in eggplant, tomatoes, and potatoes?     

Have you ever experienced an itchy or burning sensation on your tongue after eating eggplant? That's oral allergy syndrome, caused by protein histamines that affects sensitive individuals.

And those green spots on potatoes? Those are harmless chlorophyll, but they indicate something insidious just under the surface: the presence of solanine, a poisonous alkaloid that can cause severe nausea, and even death.

Just as science shines new light and understanding on naturally-occurring plant compounds and their implications to our health, it also exposes myths. 

The strange and horrible tomato, once feared for its association with the dark side, is now known to contain beneficial phytonutrients, even as an increasing part of the population sensitive to their alkaloids is choosing to exclude them, and all nightshades, from their diet.

Solanine has been long believed to be the culprit that kept us from consuming tomato leaves. But as Harold McGee pointed out in a 2009 article in the New York Times, solanine belongs to the potato species, while the tomato's is tomatine, which "appears to be a relatively benign alkaloid". So, while it may not be a good idea to indulge in a heap of tomato greens, a few aromatic leaves used as an herb is likely harmless.

Perhaps the most misunderstood and controversial members of Solanaceae belong to the Solanum nigrum complex. Solanum nigrum, commonly known as black nightshade, is a morphologically distinct species and there are at least 30 other distinct Solanum species that are bundled into this complex. To quantify them all under the dark umbrella of black nightshade taints them with the perception that they are all deadly poisonous when, in fact, they are not. At least, not all of the time. And that's where the confusion begins.

Here, too, solanine seems to be the problem— or more accurately— the varying degrees of concentration among the species. Many (too numerous to list) have a long history as significant food sources, primarily in Africa and Eurasia. Most often, it's the leaves that are gathered and cooked as greens. In some cases the ripe berries are consumed as well. Unless we are willing to sift through a maze of mind-numbing toxicological data on the individual species, there is very little practical information available. Even so, conclusions given by plant scientists are typical to this:
"the development of toxic levels of these alkaloids is dependent on their growth under certain conditions or in certain localities, and even on the age of the plants concerned. Other reports suggest that the amounts of poisonous 'principles' vary greatly with climate, season and soil type." (Edmonds and Chweya,1997)   

Could this be a case of poisonous terroir?

The fear and uncertainty surrounding black nightshade, at least in North American, prevents even the adventurous from gathering and consuming wild species— every field guide lists S. nigrum as toxic. But there is a cultivated species that was introduced in the early 1900's by plant breeder Luther Burbank, whose ripe berries are reputedly safe to eat.

Burbank claimed to have hybridized his 'Sunberry' by crossing S. guineense with S. villosum , and created Solanum burbankii, “a new food plant from a poisonous family”.  In 1909, Burbank sold the rights to the seeds to John Lewis Childs, who rechristened it 'Wonderberry' and promoted it with extravagant claims as "the greatest garden fruit ever introduced ". Suspicion was cast when horticulturists claimed that it was nothing more than common S. nigrum. Controversy raged until the 1950's when the wonderberry was proven to be a distinct species native to South Africa. It was never known whether Burbank was aware of this or if it had been inadvertently introduced to his experimental gardens. Nevertheless, the damage was done and fear of black nightshade cast the wonderberry into obscurity. In recent years, wonderberry has been resurrected by seed companies and gardeners interested in 'new' heirloom varieties. Sometimes it is listed as the hybrid S. burbankii, sometimes as the correct species S. retroflexum, but by all accounts it is safe to eat the black ripe berries (green are recognized as poisonous), and by many accounts, they are delicious.

 Nightshade

roasted eggplant and smoked potato custard
fire-roasted pepper petals
nightshade relish 


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Ever versatile, Solanaceae contributes more than food and drugs— it enriches our lives with beauty and scent through these ornamentals plants:
petunia (Petunia spp.) most widely grown ornamental nightshade • 35 species • flattened tubular flowers • available in many colors from white to black (dark purple) • spreading habit makes them popular in hanging baskets.
flowering tobacco (Nicotiana spp.) various flowering species of tobacco • small tubular star-shaped flowers open at dusk • older varieties are more scented than modern. 
datura (Datura spp.) aka: angel's trumpet, moonflower, thorn apple • large erect trumpet flowers • produces spiny seed pods • highly toxic.
brugmansia (Brugmansia spp.) closely resembles datura, but with pendulous flowers and woody stems • grown as trees in the tropics • strongly scented • highly toxic.

The etymology of Solanaceae is unclear— there is conjecture that Sol- refers to their preference for sunshine and heat. Most genera originated in warm climates, where they grow as perennials. In cold climates, unless protected, they must be treated as annuals. Although they love growing in the sun, the flowers of these ornamentals only release their alluring scent at night. This trait allows them to attract nocturnal pollinators and, perhaps, contributed to the naming of "nightshade".

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    husk-covered nightshade: tomatillo, groundcherry, Morelle de Balbis

Among the edible species, tomatoes, peppers and eggplant are the most widely cultivated by home gardeners. They're certainly omnipresent in my vegetable patch, along with tomatillos. They are easy to grow if you provide them with rich soil, room to breathe, and at least 6 hours of sunshine a day. Potatoes require a little extra care as they need to have additional soil hilled up around them as they grow to allow tubers to form along the stem and to protect them from sunlight that triggers solanine.

I've always allocated space in the garden to experiment with new plant varieties. This year, it was occupied by three nightshade: purple tomatillos, groundcherries, and Morelle de Balbis.

The purple tomatillos got a late start and didn't fully ripen before the first frost, but I was able to harvest a decent crop of the green variety before they succumbed to the same fate.

Groundcherries were a delight (for the squirrel and slugs too). When ripe, their papery green husks turn brown and they fall to the ground. The berries within are edible when green and taste similar to tomatillos. They turn yellow when ripe and become sweet with a flavor reminiscent of pineapple. They'll definitely be on the roster next year.

The Morelle de Balbis were formidable plants to grow— the stems, leaves, and husks are covered with fierce thorns that like to grab onto clothes and hair, and prick exposed skin. The husks surrounding the berries make them appear to be physalis, but they belong to the genus solanum. They break open when the fruit ripens, exposing red berries that taste like a blend of tomatoes and plums, and take on sweet cherry notes as the fruit ages. 



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pineapple honey glazed groundcherries
cherry honey glazed Morelle de Balbis
lime tomatillo tuile    sheeps milk gelato
sweet cicely   chamomile 


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Even as I put my garden to rest for the year, I'm already thinking ahead to next.

I already know that nightshades will take up most of the real estate. I'll put the tall tomatillos towards the back, the low-growing groundcherries in the front, where they'll have room to sprawl. The potatoes will grow in a row along the wall that will retain the soil that I'll pile on them as they grow. There will be peppers, both hot and sweet, and petunias in hanging baskets on the porch, flowering tobacco in the border by the back door to perfume the night air.

I look forward to growing two new-to-me varieties: wonderberry, an edible member of black nightshade (see above), and naranjilla (Solanum quitonense), a shade tolerant plant that produces acidic orange berries, reputed to taste like pineapple and lime. 

And yes, there will be tomatoes, as many as I can fit. They'll get the spot with the best soil and the most sun because the tomatoes that grow there will likely be the best that I eat all year. Maybe someday, with a push from science, that will no longer be true.

elderflower

I once found elder growing on our property. I came upon the single straggy specimen while clearing a patch of the hillside to plant fruit trees. It was struggling in the dense overgrowth and I had hoped that its new situation of light and air would help it along. But the following summer, and the one after, when our lives filled with other priorities, the wild reclaimed the orchard and swallowed up the elder.

After that, I considered cultivating elder on a more hospitable part of the yard— there are many ornamental hybrids with unique characteristics for the home gardener and elder enthusiast. For now, I'm happy to harvest flowers and berries from the naturalized specimens that grow abundantly along the roadsides of Northwestern Connecticut.

Elderflower

For most of the year, elder's dark green foliage blends in with the understory and is hard to spot. But there's a two to three week window, just after the last of the June strawberry harvest and just as the first blueberries ripen in July, when elder bursts into bloom, and elderflowers become like beacons to bees and foragers alike. That's when I stop to pick flowers from the dozens of mature trees that I pass on my daily travels, leaving enough behind to return for ripe berries in late September.

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Elderflowers have a musky honey aroma that is both fruity and floral. Picked early in the morning (when most flowers have a heightened scent), they smell to me of muscat grapes. That may be why I like my elderflower cocktail with moscato wine instead of champagne, and certainly what inspired this bavaroise, served with St Germaine-glazed blueberries and honeycomb candy.

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elderflower ambrosia

Ambrosia often refers to an orange and coconut concotion, but can also be used to describe something that is particularly delicious and nectar-like— a fitting description for this dessert.

elderflower moscato bavaroise

250g moscato
60g sugar
2 egg yolks
40g St Germaine
60g creme fraiche
1 sheet gelatin, softened in cold water
200g heavy cream, chilled and whipped to soft peaks

Cook the moscato and sugar to 100C/212F. Whisk together the yolks, St Germaine, and creme fraiche. Slowly drizzle the hot syrup into the yolk mixture while whisking, then transfer to saucepan and cook over medium low heat until bubbly and thickened. Remove from heat and whisk in the drained gelatin until dissolved. Cool to room temperature, then fold in the whipped cream. Pour mixture onto a parchment lined sheetpan and spread to an even thickness of 2.5cm/1". Chill for 2-3 hours, until set.  

elderflower white chocolate shards

100g white chocolate, melted
2.5g freshly picked elderflower blossoms, plus more for garnish

Spread the white chocolate on parchment or silicone in a thin, even layer. When it has cooled, but not yet solidified, sprinkle blossoms over top of chocolate, pressing lightly to adhere. Chill until chocolate can be peeled from parchment and broken into shards. To preserve the color/integrity of the blossoms: do not freeze or assemble more than 30 minutes in advance of service.

St Germaine glazed blueberries

65g St Germaine
25g unsalted butter
150g blueberries

Bring the St Germaine to a simmer and whisk in the butter. When the mixture returns to a simmer, add the blueberries. Toss well to coat berries and continue cooking over gentle heat for a minute or two, just until they are warmed through. Keep warm until ready to serve.

honeycomb candy (see recipe here), broken into shards

To serve:  Using a long, offset spatula, and a single motion, cut and scoop up a 2.5cm/1" wide slice of the bavaroise. Drop onto a serving plate, right of center. Embed upright shards of the elderflower white chocolate alternately with the honeycomb candy. Sprinkle the blueberries to the left and over the top of the bavaroise, then drizzle some of the glaze over the top of berries. Garnish with a sprinkle of fresh elderflower blossoms.

 

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garlic mustard

As long as we've lived here, there has been garlic mustard in the woods at the back of our property. Over the years, I've watched it creep down the hillside and flirt with the backyard. I've managed to keep them apart because they can be terribly invasive, although their compact colonies don't bother me as much as pokeweed or knotweed.

I don't know how long I can keep them at bay. In the battle of the weeds, I just might let garlic mustard win.

Garlicmustard

Garlic mustard (Alliaria petiolata) is a hardy biennial in the Brassicaceae family that grows to three feet in height. All parts of the plant are edible. The leaves are tender and mild, almost sweet, and taste of both garlic and mustard due to flavonoids that are enjoyed by humans, but despised by insects and herbivores— an efficacious trait that guarantees its proliferation.

Brandade

Next to onions, garlic is the most used allium in my kitchen, though it's not a regular in my vegetable garden. That's because it needs to go in the ground in the fall when I'm more concerned with harvesting than planting. I did remember to plant a handful of cloves last September and recently dug up some immature heads. The baby-toe-sized cloves are tender and their translucent skins have not yet turned papery. When poached in milk, they become incredibly sweet and mild— a rare treat that only a vampire could resist. 

Milk-poaching garlic always reminds me of brandade, a requisite step in making the salted cod and potato emulsion. The garlic-infused milk is used to poach the cod, which is infinitely better when salted just prior to cooking.

I piped the brandade from a parchment paper cone, using the exact same motion to fashion bite-size cones from garlic mustard leaves. A tiny smear of brandade on the underside of the outer leaf edge glues the cone together. Fried potatoes sticks were inserted into the cone before the brandade was piped in, because fried potatoes with [garlic and cod] pureed potatoes are doubly delicious! 

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brandade

Brandade is traditionally served as a dip or spread for bread. Other fish such as halibut, haddock, pollock, and hake can be substituted for the cod. Strong, oily fish like mackerel, herring, and sardines makes an assertive brandade that stands up well to pickled and brined condiments. In any case, the fish should be salted the day before. The salting process could go on for up to 24 hours, but I prefer the flavor and texture of 6-8 hours. I also prefer to use Yukon Gold potatoes over more traditional white as the don't get pasty when mechanically pureed.

400g cod (or other fish) fillet
kosher or sea salt

Sread a 1.25cm/1/2" thick layer of salt in the bottom of a shallow, non-reactive dish that is just large enough to hold the fish. Lay the fish fillet on top of the salt and completely cover with another 1.25cm/1/2" thick layer of salt. Cover dish loosely and refrigerate for 6-8 hours. Remove fish from salt and rinse thoroughly under cold running water. Pat dry. Cut fish into 2.5cm/1" pieces and allow to sit at room temperature while proceeding with recipe.

200g Yukon Gold potatoes, peeled and cut into 2.5cm/1" dice

Drop the potatoes into a pot of lightly salted boiling water and cook until very tender. Drain and keep warm.

600g whole milk
35g shallot, peeled and thinly sliced
10 black peppercorns
4 bay leaves
3 sprigs of thyme
12g garlic, peeled and thinly sliced 

Place all ingredients except garlic into a large saucepan and bring to a bare simmer. Continue simmering (don't allow milk to boil), tightly covered, for 8 minutes. Strain through a sieve. Discard solids and return milk to saucepan. Add garlic and simmer for 4 minutes. Add fish to pan and simmer for 2 minutes (temp should be at about 80C/144F). Tightly cover pan and remove from heat. Let sit for 5 minutes or until fish is thoroughly cooked and flakes easily.

50g extra virgin olive oil

Lift the warm fish and garlic slices from the milk with a slotted spoon and place in the bowl of a food processor along with the olive oil. Process for in short bursts, sraping down sides, until a smooth paste is formed. Add about 1/3 of the milk and process for 30 seconds. Add the warm potatoes and process until smooth, adding more milk (as needed) in a stream through the feed tube until the mixture is smooth and the consistency of mayonnaise.

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Japanese knotweed

On a former property, colonies of Japanese knotweed made themselves a home on a riverbank. By late summer— if left unchecked— they grew into a jungle that could only be penetrated with a machete. 

Where pokeweed is a bully, knotweed is a Superbully. On steroids. If you've ever battled this plant, then surely you're nodding in agreement. I feel your pain.

Knotweed
On my current property, I've been graced with both of these scourges and they often grow side by side. Their shoots look similar when they emerge in the spring, but beneath the soil there is no mistaking pokeweed's long pale taproots for knotweed's sprawling network of russet roots. And, unlike pokeweed, knotweed is not a native plant— most invasive species aren't. It's likely that Japanese knotweed (Fallopia japonica) was imported from Europe for its dramatic plumes of flowers and robust growth.

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knotweed shoots ✢ sheep's milk yogurt ✢ lamb bacon lardons  
hot bacon dressing ✢ young spruce
 

As a food source, the significant difference between the two is that while pokeweed should be consumed with caution, knotweed is perfectly safe to eat. Though, in its raw form it's very sour (it belongs to the same family as rhubarb), a trait that indicates the presence of oxalic acid, and should be consumed in moderation by those prone to rheumatism, arthritis, and kidney stones.

Remarkably, knotweed is a concentrated source of reservatol, a natural phenol with anti-aging properties. How clever and appropriate of Nature to devise an indestructible weed whose tenacity is despised by humans and endow it with the potential to extend our lives!

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The thick, hollow stems, divided by joints, give it the appearance of bamboo, though they're not related. Mature stalks become too woody to consume, but lengths that are cut between their knees make excellent straws.

pokeweed

Farmers say that a weed is just a plant in the wrong place and there's truth in that. Jewelweed, for example, look lovely in hedgerows, but gangly in a garden.

Unlike cultivated plants that fuss over the right conditions, weeds are opportunists just trying to survive. My issue has always been with the bullies that come out of nowhere and threaten to take over the neighborhood. They just don't play nice.

I'm all for giving Darwinian theories a stage in the wild, but not in my gardens.

Of all of the weeds that I've battled over the years, I'd classify pokeweed (Phytolacca americanaamong the most obnoxious. Certainly, it would top the tenacious list for its long taproots that reach far and dig deep. Pokeweed waits until you turn your back to go from innocuous sprouts to monstrous copses that reach ten feet in height.

Pokeweed

Pokeweed, though, is not without its charms. It is a native plant, so that gives it a right to stake its claim. Its long panicles of white flowers are attractive and even smell mildly sweet— and I'm a sucker for scented flowers. Songbirds love the deep purple berries whose juice was used as ink during the Civil War. In fact, the Declaration of Independence was written with poke ink and remains legible after two and a quarter centuries. So there's that. But all of those virtues aside, there is one other that undeniably endears it to me: pokeweed is edible.

Yes, pokeweed has a long and rich history as a wild food, but it is also potentially poisonous!

In the rural south, the young leaves (known as poke sallet, or polk salet) were collected in the spring and cooked in three changes of water to leech out the toxins, of which there are at least three different types. I can only guess at how many mountain folk fell seriously ill after consuming the highly toxic roots, and mature stems and leaves and eventually realizing that only the thoroughly cooked young shoots and leaves were safe to consume.

Despite the risks, the regional appeal of poke sallet was strong enough to inspire a folk song "Polk Salad Annie", recorded by Elvis, and a commercially canned product by The Allen Canning Company, who ceased production in 2000 because of "the difficulty of finding people interested in picking poke". Today, pokeweed is still celebrated in annual Poke Sallet Festivals that take place in Harlan, KY and Gainesboro, TN, and its legacy lives on in a new generation of foragers and interest in historical foods.

The internet is full of old-timers poetic waxings about pokeweed. But for every fond memory, there is an equally passionate warning against its consumption. Jean Weese, of the Alabama Cooperative Extension System, has this to say:
   "The boiling process removes some of the toxins but certainly not all of them. I suggest that people avoid this plant no matter how many times your mother or grandmother may have prepared it in the past and no matter how good it tasted. Why would you want to eat something that we know is toxic when there are so many other non-toxic plants out there we can eat?" 

It's a good question— one I've asked myself many times.

Plants are fascinating on so many levels. As the primary source of phytochemicals, they have the ability to do harm or to heal. It's not unusual for one plant to do both. Pokeweed contains chemical compounds that can make us sick, yet it is sold as a dietary supplement. And an antiviral protein unique to pokeweed (PAP) is being studied (and showing promise) in treatments of cancer, herpes, and HIV.

Minor ailments aside, I'm a physically healthy person (or so my doctor tells me). And let's assume that I'm also mentally sound, if only because I have no overwhelming desire to poison myself. Why then would I knowingly consume something that can harm me? It's not a decision I make lightly. My approach is careful and methodical: 

  1. Research, research, research. Proceed only when confident.
  2. At first, take small bite, chew, spit out, wait 24 hours for side effects.
  3. If there are none, go back for another small bite, chew, swallow, wait another 24 hours. 

At the very least, it's a three day proposition. Only then would I consume a moderate meal of any questionable plant. But that's just the how. The why is more complicated. 

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pokeweed hush puppies ✢ smoked ham mousse ✢ buttermilk pokeweed puree

Eating plants that were prepared and enjoyed by people of a different time, place or culture matters to me because it connects us. Maybe that's purely idealistic, but it's this romantic attraction to food that keeps me engaged on an emotional level.

On another level, it appeals to my sense of discovery. Throughout history there have been food pioneers who consumed strange things for the first time and forged paths of deliciousness for the rest of us. Consider the brave individuals who dared to bite into a pungent gnarled root of horseradish or sip a foul-smelling fermented beverage before anyone else had. That would not have been me! When it comes to consuming potentially toxic substances, my curiosity is trumped by reason and altruism by self-preservation. My sense of discovery extends only to foods that are new-to-me, and must first be positively identified and known to be edible.

Perhaps, what most compels me to seek out and eat plants like pokeweed is simply to taste it. Every new flavor that I experience adds to my  catalog of flavors— a tool that is more useful than a sharp knife. Flavor is the foundation and defining factor of any good dish. Without it, technique is gimmickery and composition is arbitrary. A chefs repetoire of flavors is no different than a painters palette or a writers vocabulary; diversity allows for a broader range of expression.

Cooked pokeweed has a mild vegetal flavor that's hard to describe. Who knows, maybe someday I'll eat something that I can say "tastes like pokeweed".

Pokeweedhushpuppies

 

Peter Hertzmann’s floating island: the evolution of a dish

One of the most gratifying aspects of blogging is the private interaction with readers through emails. I love reading your thoughtful questions, comments, and ideas. It's these interactions that often become fuel for the fire.
Two years ago, I worked with a young cook who had mentioned a book that had helped him to advance his knife skills: Knife Skills Illustrated by Peter Hertzmann. Imagine my surprize when a few days later I found mail from Peter in my inbox!
Peter Hertzmann* and I have exchanged dozens of emails since then and I've always found his insights stimulating. Last month he began sharing a misozuke project (complete with photos) that was particularly inspiring and I asked if I could share its evolution here on the blog.
This is how it began: 

Hi Linda,
You've created a miso-zuke monster—me.
I've now done oysters, scallops, endive, radishes, and cucumbers.  I originally was interested because of your article where you pickled some egg yolks. I wanted to do quail, rather than chicken eggs. I was never able to get the eggs cooked just right, so I sort of gave up. Then a couple of weeks ago, I started playing with peeling eggs with acetic acid. In the case of quail eggs, an overnight soak in white vinegar leaves a shell-less egg with both of the membranes intact. The egg feels a bit like a full water balloon. I threw a few of these eggs in shiro miso and nothing happened, or so it seemed. After two weeks, they appeared for all intents and purposes the same as when they have been first immersed in the miso. So I'd thought I break one and look inside. The membrane was a bit tough, but I was able to pick a small tear in one end with some forceps. The white came gushing out—not quite as fluid as water, but not really a jelly. Inside was a firm, pickled yolk that I could carefully pull and then wash all the white away from. The taste was definitely that of a yolk, but the presence of miso was also pronounced. With a light sprinkle of ichimi, the task was marvelous.
A new dozen is now pickling to see if this was a fluke, or not. Thanks again for turning me on to this technique.

Several things interested me about Peters process: 
1. dissolving the shell with vinegar allowed him to pickle the whole raw egg much more efficiently than waiting for the miso to penetrate the shell. This step alone opened up many ideas.
2. the texture of the cured yolk.
3. the miso-flavored egg whites.

A few weeks later, I received the following email:

Here's an update on the quail eggs. Like before, I removed the shells by soaking them in white vinegar (6% acetic acid) overnight. The following day I rubbed off any remaining shell with my fingers. The eggs, minus their shells, were immersed in shiro miso for two weeks. After rinsing they looked like…

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Other than appearing a bit browner than originally, their appearance and firmness was unchanged. I used a pair of small 45° forceps to tear a small hole in the tapered end of each egg and drained them into a bowl. The "white" was as viscous as water and brown in color…Fjgbgjei

After removing from the membranes and rinsing, the yolks, which were firm but not hard, looked like…
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I decided to cook the whites. I placed them in a small glass bowl and covered it with plastic film. This was placed in simmering water until the whites no longer jiggled. After cooling, the texture of the cooked whites was similar to a grainy custard. They tasted very much like the miso they had soaked in. I had hoped that they would cook hard so that I could sieve them for the final dish, but that was not to be.
About 4 hours later I plated the eggs…

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As you can see the yolk weeps. (The flower is a rosemary blossom.)
I'm intrigued by your suggestion to make a meringue with the whites. These eggs didn't produce much white to work with so I'm going to try the same process with a chicken egg so I can get more white.

 

Then a few weeks later I received the following update:

Here's the followup on the previous email. I used vinegar to once again remove the shell from an egg; this time a chicken egg. I started with two but one broke with moderate handling during the shell-removable phase. The remaining egg was covered with shiro miso for 21 days. At the end it looked like below.
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I should have measured the size after the shell was removed because I think it was then it grew. I should have weighed it also. Oh, well. It's obviously larger, but I can't say why.
I opened the egg onto a plate.
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Normal eggs have four layers of albumin, two thick and two thin. It now appeared to have three distinct types of albumen.
The yolk was similar to an egg cooked at 64°C (and I did roll, freeze, and cut this into ribbons). In the picture I had already crushed it a bit with my fingers.
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The white beat fairly normally in a stand mixer.
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And they seemed fairly stable, at least for an hour before they were all destroyed.
I tried doing two things with them. The first was to make sort of a floating island in dashi. As soon as the egg white hit the hot soup, it started to collapse.
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The final texture was similar to a kitchen sponge, but the flavor in the dashi was quite nice. It would be interesting to see if a little xanthum gum or versawhip would help stabilize them in the heat. I also tried some meringues, but they were a complete disaster. Besides collapsing most of the way, they turned brown like a cookie and tasted very salty. Maybe if they were stabilized they would have fared better. IN their plain form they weren't stable enough to pipe, but if they were, it would be interesting to make soup croutons out of them.

In a followup email, I asked Peter some questions about his experiment:

L: I'd be interested to know why the egg grew, or swelled.
P: I would too. I wonder if the hydrostatic pressure of a normal egg is slightly positive so that it expands once the restraint of the shell is removed. I guess it would be possible to conduct a small experiment, but I'm not ready to sacrifice a dozen eggs at the moment.

L:You said you made meringues, but they weren't stable… I'm assuming that you didn't use sugar because of the savory application.  I like the idea of a salty/sweet meringue. Or perhaps a macaron?
P: Yep. No sugar, or anything else for that matter. Give the salt and sweet meringue a try and let me know how it is. I was thinking just savory, since the miso flavor is pretty pronounced.

A short while later, I received another email from Peter expressing a desire to use methylcellulose to stabilize the 'floating island' and he asked about ratios. I made some suggestions, and he responded:

I started with your suggestions and, as is normal for me, went my own way a bit. I also downloaded the Methocel tech sheet. It sounded like hot hydration would work better for me since I'm working in very small quantities.
I hydrated 1g of Methocel F50 in 20ml of simmering water, water that was boiled in microwave and then measured with a syringe. I stuck this in the frig for a few minutes. It was about 18°C when I pulled it out. I separated 1 extra-large egg white, about 30g. When i whisked the egg white and Methocel/water together is seemed to foam fairly rapidly so I decided to try whipping it in the KitchenAid. This took about 15 to 20 minutes to form soft peaks. I spooned this into hot hon-dashi to cook. I tried Chang's method of a 30-second steam followed by basting. I also tried a 60-second steam with less basting. The later was easier to do since I wanted to cook four at a time. In either case the linear shrinkage was about 50%, but still acceptable. I added ao-nori to the mixture part way through to give it a bit of color. I shot the picture quickly with my iPhone so the color is a bit off.
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The final mouth feel of the island was similar to a spongy hard-cooked egg white. Not the same as a floating island made with sugar, but very interesting. I feel good about the results, at least enough to drop a couple more eggs into a vinegar bath and start the pickling again. I'd like to eventually serve the egg white in a double-strength chicken consomme and load the egg white with a fresh herb, maybe oregano. Everything should be ready by May 6th. I already have some guests scheduled for dinner that night. Little do they know…
As always, thanks for your help.

*Peter's bio: Cooking for Peter is a serial obsession. After spending 25 years studying Chinese cooking, history, and culture, in the mid 1990s, Peter started applying the same energy to French cookery. Over a period of 15 years he taught himself to read French, studied the history of dishes back to the 14th century, and worked in eight different restaurant kitchens in France to hone his skills. In 1999, he started an e-zine about French gastronomy and in 2011 added a weekly blog of amuse-bouche and mignardise to the site. In 2007, Peter wrote the book Knife Skills Illustrated: A Users Manual, now used for teaching in a number of cooking schools and restaurants. He has taught knife-skills classes around the country and in Canada. He has made many television appearances, including The Martha Stewart Show. He recently demonstrated knife skills for four hours at the Exploratorium for their After Dark: Gastronomy event. Nowadays, besides teaching recreational classes, he teaches knifes skills and general cooking twice a week at the San Mateo County Jail and twice a month at JobTrain, a vocational training center specializing in providing job skills for the underprivileged. As a charter member of The Butchers Guild, Peter is currently editing the official Guild Butchery Glossary. In July, he once again will be presenting a paper at the Oxford Symposium on Food and Cooking. The subject for this year’s Symposium is Wrapped and Stuffed Foods, and Peter will be addressing how Modernist cuisine relates to the issue.